Description: Richard Randell Sculpture March 16 - April 13, 1968 Royal Marks Gallery ## East 71st NYC Exhibition Poster 17.5” x 22.5” Free Shipping Expedited Priority Mail. Ships Rolled in Tube. Folds from Mailing Meter Mailed New York New York Stanford artist Richard Randell was known for his large-scale contemporary sculptures in bronze, wood, plastic and neon as well as his videos on African languages. He was also known as "a very cool professor." Richard Kenneth Randell, a former Stanford professor and nationally known artist and sculptor, died at his Windsor, Calif., home in Sonoma County on May 25 of lung cancer. He was 81. Randell was known for his large-scale contemporary sculptures. Later, in the 1990s, he also worked on African-language video projects for students studying Kiswahili, Hausa, Shona and Bambara languages. Wanda Corn, professor emerita in art history, called him "a gifted sculptor, adventurer and storyteller." Said one friend about Richard Randell: 'He was always young, until the day he died.' "He had a great sense of irony and the absurd," she said. "Students loved him for his talk and wisdom as well as his teaching of metal and woodworking." Randell was born in Minneapolis on Dec. 30, 1929. He showed an early interest in athletics, entering boxing competitions and eventually dancing ballet professionally. But his interest in art became a more enduring professional passion. He studied filmmaking and sculpture at the University of Minnesota and graduated with a bachelor's degree in studio art in 1953. As a young artist he went to New York and was represented by the Marks Gallery, at that time one of the city's biggest sculpture galleries. He would go on to exhibit his work at the Museum of Art of the Carnegie Institute, the Los Angeles County Museum of Art, the Walker Art Center in Minneapolis and other galleries and museums throughout the country. He taught sculpture at the University of Minnesota-Minneapolis from 1961 to 1966, where he produced a film about the lost wax method of casting for bronze sculpture, which was no longer widely practiced. The film encouraged and instructed artists who wanted to reintroduce the art. He also filmed documentaries and nature films. During this period, he built a foundry in Mendota, Minn., and acted as a technical consultant to the Racine Art Foundry of Detroit. He joined the Stanford art faculty in 1970, after serving as an acting assistant professor of art at the university in 1968-69. Though known during those years for his metalwork, his interests ranged widely. Mona Duggan, associate director of the Cantor Center for Visual Arts and a friend, recalled him becoming fascinated with the possibilities of working in such materials as plastic and neon. "Whenever Richard took on a new interest, he went into it in depth, until he mastered it," said Duggan. Largely because of the breadth of his knowledge and up-to-the-moment interests, she said, "he was also a very popular teacher. Particularly in the late 1970s and 1980s, he was known by his students as a very cool professor." In 1992, Randell founded a nonprofit corporation called World of Languages to support his work with linguists from Stanford, Yale and the University of California-Los Angeles who were creating a video archive for the disappearing songs, poetry and dances of Kenya and Tanzania. He received a grant from the Department of Education and a Fulbright Fellowship for his work. He also filmed and directed a series of video stories in Nigeria to be used for Hausa language learning at UCLA. A grant from the National Endowment for the Humanities funded a multimedia language and culture "textbook" for Hausa, the native language of 30 million people. Randell and his colleagues videotaped life in the markets, homes and workplaces of Kano, Nigeria, where this widely spoken language was in everyday use. In a 1999 Stanford exhibition, the video ran simultaneously with recordings of goge and kuntigi (musical instruments) from Nigeria, and Kenya's Swahili singers. Photographs of Catholic youth choirs, sword dancers and flute players were hung on a nearby wall. The exhibition also included Randell's massive bas-relief sculpture that climbed one wall and arched over the ceiling, featuring a distorted hand, gun and bullets. After his retirement in the late 1990s, he enjoyed creating stop-motion animations, mostly from the African and Italian folk stories that he collected during his travels. His animations won awards in Berkeley film festivals. He was granted two artist residencies at the Emily Harvey Foundation in Venice where he sketched and researched people, costumes and stories from the city's history.
Price: 249.99 USD
Location: New York, New York
End Time: 2024-09-06T18:19:55.000Z
Shipping Cost: N/A USD
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Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Artist: Richard Randell
Unit of Sale: Single-Piece Work
Signed By: n/a
Size: 17.5” x 22.5”
Custom Bundle: No
Date of Creation: 1968
Item Length: 17.5”
Framing: Unframed
Region of Origin: New York, USA
Personalize: No
Listed By: Dealer or Reseller
Unit Type: Unit
Year of Production: 1968
Width (Inches): 17.5”
Item Height: 22.5”
Style: Abstract
Features: 1st Edition
Featured Person/Artist: Richard Randell
Unit Quantity: 1
Culture: American
Item Width: 17.5”
Handmade: No
Character: n/a
Signed: No
Color: Multicolor
Title: Richard Randell Sculpture
Material: Paper
Certificate of Authenticity (COA): No
Original/Licensed Reprint: Limited Edition Print
Franchise: n/a
Subject: Richard Randell
California Prop 65 Warning: n/a
Type: Poster
COA Issued By: n/a
Height (Inches): 22.5”
Theme: Richard Randell Sculpture
Time Period Manufactured: 1960-1969
Country/Region of Manufacture: United States
Personalization Instructions: n/a