Recontextualizing Indian Shakespeare Cinema in the West: Familiar Strangers by V

Description: Recontextualizing Indian Shakespeare Cinema in the West by Varsha Panjwani, Koel Chatterjee, Dr David Schalkwyk, Silvia Bigliazzi, Bi-qi Beatrice Lei Featuring case studies, essays, and conversation pieces by scholars and practitioners, this volume explores how Indian cinematic adaptations outside the geopolitical and cultural boundaries of India are revitalizing the broader landscape of Shakespeare research, performance, and pedagogy.Chapters in this volume address practical and thematic concerns and opportunities that are specific to studying Indian cinematic Shakespeares in the West. For instance, how have intercultural encounters between Indian Shakespeare films and American students inspired new pedagogic methodologies? How has the presence and popularity of Indian Shakespeare films affected policy change at British cultural institutions? How can disagreement between eastern and western perspectives on the politics of a Shakespeare film become the site for productive cross-cultural dialogue? This is the first book to explore such complex interactions between Indian Shakespeare films and Western audiences to contribute to the assessment of the new networks that have emerged as a result of Global Shakespeare studies and practices.The volume argues that by tracking critical currents from India towards the West new insights are afforded on the wider field of Shakespeare Studies - including feminist Shakespeares, translation in Shakespeare, or the study of music in Shakespeare - and are shaping debates on the ownership and meaning of Shakespeare itself. Contributing to the current studies in Global Shakespeare, this book marks a discursive shift in the way Shakespeare on Indian screen is predominantly theorised and offers an alternative methodology for examining non-Anglophone cinematic Shakespeares as a whole. FORMAT Hardcover CONDITION Brand New Author Biography Varsha Panjwani teaches at NYU, London, UK.Koel Chatterjee teaches Integrated English at Trinity Laban Conservatoire of Dance and Music, UK. Table of Contents List of IllustrationsNotes on ContributorsForeword: On Reading the Indian Shakespeare FilmPoonam Trivedi (Indraprastha College, University of Delhi, India)AcknowledgementsIntroduction: Indian Shakespeare Cinema in the West: Past, Present and Future DirectionsA Conversation between Varsha Panjwani (NYU London, UK) and Koel Chatterjee (Trinity Laban Conservatoire of Dance and Music, UK)PART ONE: Dismantling the Familiar1. Re-generation: Remapping the Screenscape in Fractious TimesDiana E. Henderson (MIT, USA)2. Two Indian Film Offshoots of Twelfth NightRobert White (University of Western Australia, Australia)3. For never was a story of more woe: Dialogic Telling and Global Interchange in Qayamat se Qayamat Tak, a Bollywood Film Adaptation of Romeo and Juliet Mark Thornton Burnett (Queens University Belfast, UK)4. Indian Independent Cinema and Shakespeare: Conversations with Sharat Katariya and Vandana KatariaTula Goenka (Syracuse University, USA)5. Vandana Katarias Noblemen: Global Frames of InterpretationTaarini Mookherjee (Columbia University, USA)6. Chutzpah: The Politics of Bollywood Shakespeare SubtitlesVarsha Panjwani (NYU London, UK)PART TWO: Re-contextualizing the Strangers7. Curating Indian Shakespeares at the BFI in 2016Helen deWitt in conversation with Anne Sophie Refskou (Aarhus University, Denmark) 8. "Traveling" with Shakespeare through Bhardwajs Haider: Some Challenges in Teaching Global Shakespearean Adaptations in US University Classrooms: The Global Shakespeare MovementJyotsna Singh (Michigan State University, USA)9. Understanding Nimmi: Tracing Interpretations of Vishal Bhardwajs MaqboolAna Laura Magis Weinberg (National Autonomous University of Mexico, Mexico)10. Naina thag lenge: Visual Uncertainty in Othello and Vishal Bhardwajs Omkara Shani Bans (University College London, UK)11. A Pair Of Homotextual Lovers: Bhansalis Ram-Leela and Shakespeares Romeo & JulietAmritesh Singh (University of St Andrews, UK)12. All the worlds a stage: The Participatory Indian Cinema Audience and its Impact on Indian Shakespeare FilmsKoel Chatterjee (Trinity Laban Conservatoire of Dance and Music, UK)Afterword: Sonia Massai (Kings College London, UK)Index Promotional This collection builds on preliminary work of mapping what Shakespeare has done for Indian cinema by discussing how Indian cinematic adaptations are revitalizing and can reinvigorate the broader landscape of Shakespeare research, performance, and pedagogy in the West. Promotional "Headline" This collection builds on preliminary work of mapping what Shakespeare has done for Indian cinema by discussing how Indian cinematic adaptations are revitalizing and can reinvigorate the broader landscape of Shakespeare research, performance, and pedagogy in the West. Feature Provides multiple case studies that offer examples of ways in which Indian Shakespeare cinema is revitalizing Shakespeare studies and productions Details ISBN1350168653 ISBN-10 1350168653 ISBN-13 9781350168657 Format Hardcover Series Global Shakespeare Inverted Imprint The Arden Shakespeare Place of Publication London Country of Publication United Kingdom Year 2023 Publication Date 2023-02-23 UK Release Date 2023-02-23 NZ Release Date 2023-02-23 Illustrations 9 bw illus Subtitle Familiar Strangers Pages 320 Edited by Koel Chatterjee Author Bi-qi Beatrice Lei Publisher Bloomsbury Publishing PLC DEWEY 822.33 Audience Professional & Vocational AU Release Date 2023-02-22 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:140159830;

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