RARE 1929 BRITISH CARTOON - CHINESE NATIONALISM - Anti-Japanese Boycott NANKING

Description: This is an original cartoon from British Punch humor/satire magazine, drawn by L. Raven-hill, published January 2, 1929, and pulled from the magazine; original, not a modern reproduction. Full size: 8 x 10 1/2 inches, including borders. Pictured image is slightly cropped. CONDITION: excellent -- the paper has been humidified and flatted and shows no handling or storage wear (ready for framing), bright and clean; note: backside has unrelated text with some show-through (ghosting) possible, as published -- please look closely. THE STAGE WAITS. Spirit of Reconciliation. "Isn't this where I come in?" ["Japan has not recognized the Nanking government...The officially encouraged boycott" (of Japanese goods) "continues to grow in intensity, and altogether relations between the two countries are very uncomfortable." - "The Times'" Correspondent at Nanking.]--an InterWar cartoon showing a musical play with China's Nanking Government holding an Anti-Japanese Boycott and Japan with a No Recognition fan. Keywords: Nanking Government, China, Japan, anti-Japanese boycott, no recognition, Chinese Civil War, Kuomintang, boycotting, Chinese Reunification, Chinese Nationalism, Chinese dress/costume.Over 4,000 Punch cartoons listed for sale (store category "Punch cartoons"), combine orders and save shipping charges. Questions are always welcome. Please use 'Add to Basket' instead of 'Buy now' if buying more than one so that eBay only charges one lot of postage per order.. WHO IS THE ARTIST?:Leonard Raven-Hill (10 March 1867 - 31 March 1942) was an English artist, illustrator and cartoonist. By 1901 he had joined the staff of Punch as the junior political cartoonist.WHAT IS PUNCH?Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.

Price: 15.95 USD

Location: Milton, Vermont

End Time: 2024-11-20T20:52:34.000Z

Shipping Cost: 6.95 USD