Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great Orchestra Records by great conductors on 78 rpm recordsClick on this link to see more great Conductors and Orchestral Records! Frederick Stock Chicago Symphony in one of his last recordingsIn a great sleeve with the funky design of Jim Flora Chicago Symphony Orchestra* – Dance Of The HoursLabel: Columbia Masterworks – 11621-DA Dance Of The Hours (From "La Gioconda") (Beginning)B Dance Of The Hours (From "La Gioconda") (Conclusion)Conductor – Frederick StockOrchestra – Chicago Symphony Orchestra*Written-By – PonchielliGreat Pre War Gold Label Columbia 12" 78 rpm record Condition:EXCELLENT minus unworn light rubs, plays very quiet light hissCondition Sleeve: EXCELLENT clean no writing, seams are sound, some minor wrinkles, tiny tear on top edgeA GREAT COPYFrederick Stock (Friedrich August Stock) (November 11, 1872 û October 20, 1942) was an German conductor and composer. BiographyStock was born in Jnlich, Germany and given his early musical education by his army bandmaster father. At the age of fourteen, Frederick Stock was admitted into the Cologne Conservatory as a student of violin and composition, where he counted Engelbert Humperdinck as one of his teachers, and Willem Mengelberg among his classmates. After graduating from the conservatory in 1890, Stock was accepted to the Municipal Orchestra of Cologne as a violinist. [edit] CareerIn 1895, Stock met with Theodore Thomas, director of the then fledgling Chicago Symphony Orchestra and the man who was to have a decisive impact on Stock's future. Thomas, who was then visiting Germany in search of recruits for his Chicago Symphony, auditioned Stock and gave him a position as violist in the orchestra. Thomas soon realized, however, that his new violist was also a very talented conductor and in 1899, Stock was promoted to assistant conductor. After the sudden death of Theodore Thomas in 1905, Frederick Stock took over the post of music director of the Chicago Symphony. At first filling in the position only on a temporary basis, Frederick Stock finally assumed the role of permanent music director in 1911 only after the Chicago Symphony's board of directors failed to persuade Gustav Mahler, Hans Richter, Felix Weingartner, Karl Muck, and Felix Mottl, among others, to take over the position. Under Stock's direction, the Chicago Symphony became one of America's top orchestras, developing a distinctive brass sound that can already be heard in the orchestra's first recordings. An enthusiast of modern music, Stock championed the works of many then modern composers including Mahler, Richard Strauss, Stravinsky, whose Symphony in C was commissioned for the orchestra's 50th anniversary, Sergei Prokofiev, whose Third Piano Concerto was given its world premiere in Chicago with the composer at the piano, Gustav Holst, Zoltßn Kodßly, whose Concerto for Orchestra was commissioned by Stock, Nikolai Myaskovsky, Josef Suk, William Walton, Arthur Benjamin, George Enescu, and many others. Frederick Stock's thirty-seven year tenure as head of the Chicago Symphony was surpassed in America only by Eugene Ormandy's lengthy directorship of the Philadelphia Orchestra. Soon after Stock's death in Chicago on 20 October 1942, DTsirT Defauw was chosen as his successor. [edit] Recorded legacyIn 1916 the Chicago Symphony, under Stock's baton, made its first set of recordings for the Columbia label. In fact, these recordings were the first ever made by an American orchestra under its music director. The orchestra would later record for RCA Victor, then go back to Columbia, only to finally go back to RCA Victor in 1941-1942 for its final series of recordings under Stock. The orchestra's first electrical recordings were made in 1925, including a performance of Karl Goldmark's In Springtime overture; these early recordings were made in Victor's Chicago studios and within a couple of years the orchestra was recorded in Orchestra Hall. Stock's last studio recording, Ernest Chausson's Symphony in B minor, was released posthumously in 1943 More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 19.99 USD
Location: San Francisco, California
End Time: 2024-12-09T18:36:11.000Z
Shipping Cost: 7.49 USD
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Restocking Fee: No
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Type: Print
Artist: JIM FLORA
Subject: Musical Bands & Groups
Style: Surrealism
Theme: Music