Description: An Egyptian Hieroglyphic Dictionary: With an Index of English Words, King List, and Geographical List with Indexes, List of Hieroglyphic Characters, Coptic and Semitic Alphabets. E.A. Wallis Budge’s "An Egyptian Hieroglyphic Dictionary" Volume I (1978). Softcover. Volume II (1978). Almost 1,500 Pages Total! The Authoritative Reference Source! DESCRIPTION: Softcover: 1481 pages in 2 Volumes. Publisher: Dover; (1978). Volume I is 748 pages. Volume II is 733 pages! A fabulous reference! The only complete hieroglyphic dictionary! 28,000 hieroglyphic words translated including usage and historical information. 60,000 word English to Egyptian glossary! Supplemental Information includes king’s list, list of mythological deities, geography references, Coptic, Semitic, Hebrew, Arabic, Syriac, Ethiopic, Amharic, and Persian cuneiform alphabets. You’ll be thankful 100 times to have this book at your fingertips. CONDITION: VERY GOOD. Lightly read, mildly "shelfworn" - TWO VOLUME oversized "trade" softcover books. Dover (1978) 1481 pages in two volumes. Volume I evidences light reading wear. I am not sure whether anyone would read this reference "cover to cover", but the book does have two light "reading creases" to the fat spine, and overall the pages do suggest that the book has been frequently opened to one page or another. Volume II on the other hand has only one very faint "reading crease", and based upon an inspection of the inside of the book, I'd warrant that someone has flipped through the book once or twice, but it evidences only very faint reading wear. Both books are unmarked, the pages clean, tightly bound and relatively unmutilated (with minor exceptions noted below). I would mentioned however that the outer surface of the massed closed page edges (oftentimes referred to as the "page block") of volume II does evidence some very faint "age tanning", discernible only to the massed closed page edges, not to the individual pages. Despite the very light wear, volume II is a pretty old printing. From the outside, starting with volume I there's a very large half-formed crease to the lower open corner of the front cover. Both open corners of the front cover and the lower open corner of the back cover have very faint corner creases/bumps, the first 15-20 pages beneath those cover corners echoing with very tiny, very faint bends. There are also very tiny, very faint bumps to the corners of the spine heel, so faint that there is no significant echo to the pages beneath the cover spine heel corners. With respect to volume II, Both open corners of the front cover and the upper open corner of the back cover have very faint corner creases/bumps, the first 15-20 pages beneath those cover corners echoing very tiny, very faint bends. There is also a very tiny, very faint bumps to the front corner of the spine heel, so faint that there is no significant echo to the pages. And finally if you hold the front cover up to a light source and inspect the cover very intently in the reflected light, you can discern some very faint crinkle marks to the both open front cover corners (upper and lower) of volume II. They are in other terms, faint, half-formed "wrinkles", really just the shadow of a wrinkle. This is typically caused by someone trying to shelve the book between two adjacent books which are already tightly shelved. So the cover starts to bend. In this instance the book is withdrawn before the corner of the cover bent over and formed a crease. But if you hold the book up to a light source and inspect them carefully, you can see that at one point in time both the lower and upper corners of the front cover were "stressed" as the book was tightly inserted between two adjacent books, leaving a very faint "wrinkle" or stress mark at the open corners of the front cover. It's very common shelfwear found with oversized softcover books. The bumped to the spine heel and cover corners described above are likewise quite commonly found as "shelf wear". Large, heavy books like this are awkward to handle and so tend to show accelerated shelfwear, frequently bumped, and particularly with respect to the corners, as due to their size and weight they are frequently the victim of careless, lazy or clumsy re-shelving. Even the open corners of books (and their pages) are bumped against bookshelf edges, as due to their oversized nature, such large books are oftentimes bumped against the edge of bookshelves just barely tall enough to accommodate the book's height. Note that if you do want absolutely brand new copies of both volumes, we do have them available in hardcover on our store. Given the shelf wear to the books they might lack the "sex appeal" of "shelf trophies". Nonetheless for those not concerned with whether the two volumes will or will not enhance their social status or intellectual reputation, they are otherwise clean and only lightly read. Satisfaction unconditionally guaranteed. In stock, ready to ship. No disappointments, no excuses. PROMPT SHIPPING! HEAVILY PADDED, DAMAGE-FREE PACKAGING! Selling rare and out-of-print ancient history books on-line since 1997. We accept returns for any reason within 30 days! #023p+#024p. PLEASE SEE IMAGES BELOW FOR SAMPLE PAGES FROM INSIDE OF BOOK. PLEASE SEE PUBLISHER, PROFESSIONAL, AND READER REVIEWS BELOW. PUBLISHER REVIEWS: REVIEW: At last, an English dictionary of Egyptian hieroglyphics. This monumental work—long out of print, a very hard and rare book to find—was prepared by one of the foremost Egyptologists of the century. It contains nearly 28,000 words or terms that occur in hieroglyphic texts dating from the Third Dynasty through the Roman period, roughly from 3000 B.C. to 600 A.D. It is the only complete English dictionary available anywhere. For students, teachers, collectors, libraries, museums or anyone seriously interested in deciphering ancient Egyptian writings, magical formulas or inscriptions for themselves, this book is a must! Arranged alphabetically, each entry consists of the transliteration of the word, the word in hieroglyphs, the meaning in English, and often, a literary or other textual source where the word can be found. The entries in the 915-page main dictionary include all the gods and goddesses as well as other mythological beings, the principle kings of Egypt, and geographical names. Professor Budge also gives in the beginning a full list of the most frequently used hieroglyphic characters arranged, after the manner of printers' Egyptian-type catalogues, by pictorial similarity (men, women, gods and goddesses, parts of the body, animals, birds, reptiles, fish, insects, plants, sacred vessels, weapons, measures, etc.) with phonetic values and meanings when used as determinatives and ideographs. Reference alphabets or syllabaries for Coptic, Hebrew, Syriac, Arabic, Ethiopic, Amharic and Persian cuneiform are also here. The secondary aids are quite extensive (over 550 pages worth) and most useful. In the second volume, there's an index of English words with 60,000 entries. This forms an extremely handy English-Egyptian glossary. Also included in this volume are hieroglyphic lists of royal and geographical names (with separate indexes to these lists), and indexes of Coptic and non-Egyptian words quoted in the dictionary itself (with a separate section for non-Egyptian geographical names). The long, scholarly and informative introduction outlines the history of the decipherment in Europe of Egyptian hieroglyphs and lexicography (citing such pioneers as Akerblad, Young, Champollion le Jeune, Birch, Lepsius, Brugsch, Chabas, Goodwin E. de Rougé, and others), explains the principles of the present work, and offers a full bibliography. Everything you need to study hieroglyphs is in these two volumes. REVIEW: Please read the entire description of this amazing reference. This reference originally published in 1920 quickly became the world’s leading complete reference book on the language of the ancient Egyptians. Reprinted in 1978, it remains the single most authoritative source for the translation of the hieroglyphic language(s) used by the ancient Egyptians from 3000 BC through 600 AD. There is both a hieroglyphic to English, as well as an English to hieroglyphic dictionary. This is a two volume set, and includes both volumes. REVIEW: Sir Ernest Alfred Thompson Wallis Budge (1857-1934) was an English Egyptologist, Orientalist, and philologist who worked for the British Museum and published numerous works on the ancient Near East. He made numerous trips to Egypt and the Sudan on behalf of the British Museum to buy antiquities, and helped it build its collection of cuneiform tablets, manuscripts, and papyri. He published many books on Egyptology, helping to bring the findings to larger audiences. In 1920 he was knighted for his service to Egyptology and the British Museum. E. A. Wallis Budge was born in Bodmin, Cornwall, to Mary Ann Budge, a young woman whose father was a waiter in a Bodmin hotel. Budge's father has never been identified. Budge left Cornwall as a boy, and eventually came to live with his maternal aunt and grandmother in London. Budge became interested in languages before he was ten years old. However he left school at the age of twelve in 1869 to work as a clerk at the retail firm of WHSmith. WHSmith sold books, stationery and related products. In his spare time, Budge studied Biblical Hebrew and Syriac with the aid of a volunteer tutor named Charles Seeger. Budge became interested in learning the ancient Assyrian language in 1872 when he also began to spend time in the British Museum. Budge's tutor introduced him to the keeper of Oriental Antiquities, the pioneer Egyptologist Samuel Birch, and Birch's assistant, the Assyriologist George Smith. Smith helped Budge occasionally with his Assyrian. Birch allowed the youth to study cuneiform tablets in his office and obtained books for him from the British Library of Middle Eastern travel and adventure, such as Austen Henry Layard's “Nineveh and Its Remains”. From 1869 to 1878 Budge spent his free time studying Assyrian. During these years he often spent his lunch break studying at St. Paul's Cathedral. John Stainer, the organist of St. Paul's, noticed Budge's hard work, and met the youth. He wanted to help the working-class boy realize his dream of becoming a scholar. Stainer contacted W. H. Smith, a Conservative member of Parliament, and the former Liberal Prime Minister William Ewart Gladstone, and asked them to help his young friend. Both Smith and Gladstone agreed to help Stainer to raise money for Budge to attend the University of Cambridge. Budge studied at Cambridge from 1878 to 1883. His subjects included Semitic languages: Hebrew, Syriac, Geʽez and Arabic. Budge continued to study Assyrian independently. Budge worked closely during these years with William Wright, a noted scholar of Semitic languages, among others. In 1883, Budge entered the British Museum, working within the recently renamed Department of Egyptian and Assyrian Antiquities. Initially appointed to the Assyrian section, he soon transferred to the Egyptian section. In 1883 Budge also married Dora Helen Emerson, who died in 1926. At the British Museum Budge studied the Egyptian language with Samuel Birch until the latter's death in 1885. Budge continued to study ancient Egyptian with the new keeper, Peter le Page Renouf, until the latter's retirement in 1891. Between 1886 and 1891, Budge was assigned by the British Museum to investigate why cuneiform tablets from British Museum sites in Iraq, which were to be guarded by local agents of the museum, were showing up in the collections of London antiquities dealers. The British Museum was purchasing these collections of what were their "own" tablets at inflated London market rates. Edward Augustus Bond, the principal librarian of the museum, wanted Budge to find the source of the leaks and to seal it. Bond also wanted Budge to establish ties to Iraqi antiquities dealers in order to buy available materials at the reduced local prices, in comparison to those in London. Budge also traveled to Istanbul during these years to obtain a permit from the Ottoman Empire government to reopen the museum's excavations at these Iraqi sites. The museum archaeologists believed that excavations would reveal more tablets. During his years in the British Museum, Budge also sought to establish ties with local antiquities dealers in Egypt and Iraq so that the museum could buy antiquities from them, and avoid the uncertainty and cost of excavating. This was a 19th-century approach to building a museum collection, and it was changed markedly by more rigorous archaeological practices, technology and cumulative knowledge about assessing artifacts in place. Budge returned from his many missions to Egypt and Iraq with large collections of cuneiform tablets; Syriac, Coptic, and Greek manuscripts; and significant collections of hieroglyphic papyri. Perhaps his most famous acquisitions from this time were: the Papyrus of Ani, a Book of the Dead; a copy of Aristotle's lost Constitution of Athens; and the Amarna letters. Budge's prolific and well-planned acquisitions gave the British Museum arguably the best Ancient Near East collections in the world, at a time when European museums were competing to build such collections. Museum officials and their local agents smuggled antiquities in diplomatic pouches, bribed customs officials, or simply went to friends or countrymen in the Egyptian Service of Antiquities to ask them to pass their cases of antiquities unopened. Budge became assistant keeper in his department after Renouf retired in 1891, and was confirmed as keeper in 1894. He held this position until 1924, specializing in Egyptology. During his tenure as keeper, Budge was noted for his kindness and patience in teaching young visitors to the British Museum. Budge's tenure was not without controversy. In 1893, he was sued in the high court by Hormuzd Rassam for both slander and libel. Budge had written that Rassam had used his relatives to smuggle antiquities out of Nineveh and had sent only "rubbish" to the British Museum. The elderly Rassam was upset by these accusations, and when he challenged Budge, he received a partial apology that a later court considered "ungentlemanly". Rassam was supported by the judge but not the jury. Budge was knighted in the 1920 New Year Honours for his distinguished contributions to Colonial Egyptology and the British Museum. In the same year he published his sprawling autobiography, “By Nile and Tigris”. Budge's works were widely read by the educated public and among those seeking comparative ethnological data. Though Budge's books remain widely available, since his day both translation and dating accuracy have improved, leading to significant revisions. Budge was also interested in the paranormal, and believed in spirits and hauntings. Budge had a number of friends in the Ghost Club (British Library, Manuscript Collections, Ghost Club Archives), a group in London committed to the study of alternative religions and the spirit world. Budge told his many friends stories of hauntings and other uncanny experiences. Many people in his day who were involved with the occult and spiritualism after losing their faith in Christianity were dedicated to Budge's works, particularly his translation of the Egyptian Book of the Dead. Such writers as the poet William Butler Yeats and James Joyce studied and were influenced by this work of ancient religion. Budge's works on Egyptian religion have remained consistently in print since they entered the public domain. Budge was a member of the literary and open-minded Savile Club in London, proposed by his friend H. Rider Haggard in 1889, and accepted in 1891. He was a much sought-after dinner guest in London, his humorous stories and anecdotes being famous in his circle. He enjoyed the company of the well-born, many of whom he met when they brought to the British Museum the scarabs and statuettes they had purchased while on holiday in Egypt. Budge never lacked for an invitation to a country house in the summer or to a fashionable townhouse during the London season. Budge retired from the British Museum in 1924, and lived until 1934. He continued to write and published several books; his last work was “From Fetish to God in Ancient Egypt” (1934). Budge was a prolific author, and he is especially remembered today for his works on ancient Egyptian religion and his hieroglyphic primers. REVIEW: E. A. Wallis Budge, the author of numerous books, was once the Keeper of Egyptian and Assyrian Antiques in the British Museum. PROFESSIONAL REVIEWS: REVIEW: A monumental work containing about 25,000 words and terms that occur in texts ranging from 3000 B.C. to 600 A.D. Each entry consists of a transliteration of the word, the word in hieroglyphs, and the meaning in English. Indispensable to serious student. READER REVIEWS: REVIEW: When I decided to take up learning Egyptian hieroglyphics, I got rather frustrated with all the reviews about which book I should learn from. Everybody criticized Budge for being "outdated", but many didn't really elaborate on what they meant. The best argument they could provide, it seemed, was that he was made fun of in the movie Stargate. Really? This is a justified argument? Stargate is a science fiction movie. It also claimed that the Egyptian pyramids were built by worms from outer space (though technically, we didn't learn they were worms until the television series). Though I've heard an interesting and possibly plausible theory that the pyramids are older, I think most archaeologists would laugh at you if you proposed they were built by aliens, worms or otherwise. I did find one review that made more sense that said that more has been learned about Egyptian hieroglyphics since Budge's time, and it seems now that modern linguists have different ideas about the spelling of the hieroglyphics. I checked out one book from the library and compared it to Budge. I've not gotten further than the alphabet, but even that has shown some differences. One symbol that Budge claims represents the letter u is now considered to represent the letter w. Another symbol that Budge claims represents the letter i is now considered to represent the letter y. However, they also claim that depending on the circumstances, these letters will sound like "u" or "i" (though they can also sound like "w" and "y"). It seems maybe Budge is guilty of spelling phonetically. As one reviewer said--the one I trusted more--Budge will teach you how to spell wrong, and that is why he discouraged beginners from learning from Budge. So why did I buy this dictionary anyway? 1) I have not heard anyone say that Budge translated wrong--except the people, perhaps, who use Stargate as an example. If the only disagreement is that a symbol he said was the letter u is now the letter w...but he got the order of the symbols correct and the translation of the word they represent correct, that is really all I care about. 2) Budge is user-friendly. I checked some of the books that people recommended. I found many of them to be a little too technical and confusing for a beginner. 3) Budge is cheaper in price. Other similar books can get expensive. One of the recommended books costs $400.00 when I checked. 4) Guess who has published the most? Budge. People complain about Budge being outdated, and yet none of the new people have bothered to produce as many published translations. And that might be why: 5) Budge is still used as a reference by many scholars, so he can't totally be a joke. In the end, whether you should buy Budge depends on why you want to learn hieroglyphics. Are you planning to become an Egyptologist or linguist or take any job where you are going to be translating hieroglyphics? If you don't know whether you are going to keep at this, I would advise purchasing Budge. This dictionary has 580 pages in the first volume. It is cheaper than most other references and should test how deep your interest is. If you do learn hieroglyphics, what sources are you going to rely on in finding translations? If you are going to rely on published books to provide you opportunities to translate...as I've said, it seems Budge is the major author out there. So learning Budge will help you to translate the major source of translations out there: Budge. Are you a person that can relearn something if you are taught old information? If yes, then it isn't a big deal if you learn from an outdated source. As for the dictionary itself. It is reprinted, so you aren't getting an old copy if you buy it new. I like how Budge makes a list of commonly used hieroglyphics at the front. He divides them into categories so if you are searching for a symbol, it is easier to find it--providing if you know what it is. He draws the symbols as they appear on a papyrus. As for the dictionary part, he uses the Egyptian alphabet. He seems to lists words by the symbol they start out with. I don't know if this is a good source for learning grammar, and it is possible when I get to that I probably will invest in a reputed source. Right now, I'm not sure if this isn't a passing fancy myself, and I'm just concentrating on learning words. REVIEW: When you start the study of the language of Khemet Land (Egypt) you will find too much didactic material inside the web. Many of them very interesting. One of these things is how professional egyptologists of today are rejecting almost all the books made by E.A. Wallis Budge, but in special his two volume dictionary of Hieroglyphic. Yes, there are a few which are better than Budge’s work, such as Faulkner's dictionary, but this is very expensive. Budge's work has one principal problem, the transliteration system is not the standard used by Allan Gardiner's Grammar. But with a little study it is easy understand both system. In Hollywood movies you’re more likely to see Budge's translations than Gardiner's. And in old books in the web you will surely find Budge's system and not Gardiner's, except in the most modern transliterations. In comparison with Allan Gardiner’s “Vocabulary” at the end of his great grammar, Budge's Dictionary is more "friendly" with "general readers". Gardiner's Vocabulary has less words than Budge's Dictionary. And printed signs in Budge's are better than Gardiner's Vocabulary. I should recognize Gardiner's is now the more accepted and more "near" according with the experts. Faulkner's dictionary has the same transliteration system of Gardiner's. However in addition to the really high price of Faulkner’s work, his handwriting style is very difficult to read. I greatly prefer Budge's dictionary. My advice is if you only want pass a good time learning Egyptian as a hobby, you should spend substantially less money and buy both volumes of Budge's Dictionary, and complement this ones with web information. But if you have professional aspirations you might want to shell out the big bucks for Gardiner’s or Faulkner’s works. I'm not a professional in ancient language. I simply wanted to learn using whatever system was most efficient and simple. Budge;s first volume teaches some history about deciphering of hieroglyphics. The first part of dictionary (A-KH) explains Budge's transliteration system and compares it Champollion's system, Samuel Birch's Dictionary, and the works of other notable Egyptologists. The second volume (KH-T) has a list complete of Kings, an English words cross reference index, and presents a compendium of place names in Egyptian, Hebrew, Syriac, Arabian and Acadian-Sumerian correspondence. The Dover editions of these volumes are printed on good quality paper, with nice drawings, readable fonts, and reasonably priced. If you like adventures and feel like Indiana Jones, I recommend this dictionary. REVIEW: I avoided Budge for years because of Daniel Jackson, yes the fictional character, disparaging him in Stargate. No joke :) Eventually, though, I wanted easy access to the actual arrangement (a wild mess of art over form or form over art but ha ha which one is in use at any given moment doesn't have a determinative to guide us!) of long-form Egyptian prose, and Budge's public domain stuff is great for that... and then I discovered his translations are actually pretty good. It was still early after the initial decipherment and he was so obviously an enthusiastic and sometimes fanciful learner, kind of like Sir Arthur Evans is in the Minoan domain. I like reading Budge's work, and comparing it with more modern interpretation. There's big and little phonetic variants, but a lot of the lexical stuff is reasonably sound, inasmuch as we'll ever read ancient Egyptian - especially hapax legomenon or rarely used configurations - with confidence. REVIEW: It takes a while for the new coming reader to get used to the way the dictionary is laid out because it's chronicled using the Ancient Egyptian alphabetic chart (according to Champollion and other sources, namely the author: Budge). It has helped me out in sticky spots where I didn't know a word (sometimes it seemed like it was a hapax Legomenon, but proved not to be). REVIEW: The two volume Hieroglyphic Dictionary is still a very useful work. This massive work is well organized. You should buy BOTH volumes 1 and 2 in order to properly use the dictionary. Keep in mind that volume 2 contains the various indexes for both volumes and part of the huge dictionary of ancient Egyptian words and the index of all the English words. So you need both volumes! REVIEW: The most comprehensive book on this area of study that I have read to date. Budge did a good job explaining in plain English the meaning of personal and place names which can be used to interpret sacred texts such as the Pert em Hru and the Pyramid Texts. REVIEW: The best parts of this volume are the indexes at the back: English-Egyptian words and on what page and column they appear, a chronology of Egyptian rulers and their cartouched names, and a list of the names of all Ancient Egyptian locations. Volume II is perhaps the volume that I use the most. REVIEW: The format and illustrations, as well as the index, make it easy to read the symbols and glyphs, and it can prove to be useful in interpreting and deciphering the meaning of numerous sacred texts. ADDITIONAL BACKGROUND: A History of Ancient Egyptian Literature: Ancient Egyptian literature was written in the Egyptian language from ancient Egypt's pharaonic period until the end of Roman domination. It represents the oldest corpus of Egyptian literature. Along with Sumerian literature, it is considered the world's earliest literature. Writing in ancient Egypt—both hieroglyphic and hieratic—first appeared in the late 4th millennium BC during the late phase of predynastic Egypt. By the Old Kingdom (26th century BC to 22nd century BC), literary works included funerary texts, epistles and letters, hymns and poems, and commemorative autobiographical texts recounting the careers of prominent administrative officials. It was not until the early Middle Kingdom (21st century BC to 17th century BC) that a narrative Egyptian literature was created. This was a "media revolution" which, according to one expert, was the result of the rise of an intellectual class of scribes, new cultural sensibilities about individuality, unprecedented levels of literacy, and mainstream access to written materials. However, it is possible that the overall literacy rate was less than one percent of the entire population. The creation of literature was thus an elite exercise, monopolized by a scribal class attached to government offices and the royal court of the ruling pharaoh. Middle Egyptian, the spoken language of the Middle Kingdom, became a classical language during the New Kingdom (16th century BC to 11th century BC), when the vernacular language known as Late Egyptian first appeared in writing. Scribes of the New Kingdom canonized and copied many literary texts written in Middle Egyptian, which remained the language used for oral readings of sacred hieroglyphic texts. Some genres of Middle Kingdom literature, such as "teachings" and fictional tales, remained popular in the New Kingdom, although the genre of prophetic texts was not revived until the Ptolemaic period (4th century BC to 1st century BC). Popular tales included the "Story of Sinuhe" and "The Eloquent Peasant", while important teaching texts include "The Instructions of Amenemhat" and "The Loyalist Teaching". By the New Kingdom period, the writing of commemorative graffiti on sacred temple and tomb walls flourished as a unique genre of literature, yet it employed formulaic phrases similar to other genres. The acknowledgment of rightful authorship remained important only in a few genres, while texts of the "teaching" genre were pseudonymous and falsely attributed to prominent historical figures. Ancient Egyptian literature has been preserved on a wide variety of media. This includes papyrus scrolls and packets, limestone or ceramic ostraca, wooden writing boards, and monumental stone edifices and coffins. Texts preserved and unearthed by modern archaeologists represent a small fraction of ancient Egyptian literary material. The area of the floodplain of the Nile is under-represented because the moist environment is unsuitable for the preservation of papyri and ink inscriptions. On the other hand, hidden caches of literature, buried for thousands of years, have been discovered in settlements on the dry desert margins of Egyptian civilization. By the Early Dynastic Period in the late 4th millennium BC, Egyptian hieroglyphs and their cursive form hieratic were well-established written scripts. Egyptian hieroglyphs are small artistic pictures of natural objects. For example, the hieroglyph for door-bolt, pronounced se, produced the s sound; when this hieroglyph was combined with another or multiple hieroglyphs, it produced a combination of sounds that could represent abstract concepts like sorrow, happiness, beauty, and evil. The Narmer Palette, dated circa 3100 BC during the last phase of Predynastic Egypt, combines the hieroglyphs for catfish and chisel to produce the name of King Narmer. The Egyptians called their hieroglyphs "words of god" and reserved their use for exalted purposes, such as communicating with divinities and spirits of the dead through funerary texts. Each hieroglyphic word represented both a specific object and embodied the essence of that object, recognizing it as divinely made and belonging within the greater cosmos. Through acts of priestly ritual, like burning incense, the priest allowed spirits and deities to read the hieroglyphs decorating the surfaces of temples. In funerary texts beginning in and following the Twelfth dynasty, the Egyptians believed that disfiguring, and even omitting certain hieroglyphs, brought consequences, either good or bad, for a deceased tomb occupant whose spirit relied on the texts as a source of nourishment in the afterlife. Mutilating the hieroglyph of a venomous snake, or other dangerous animal, removed a potential threat. However, removing every instance of the hieroglyphs representing a deceased person's name would deprive his or her soul of the ability to read the funerary texts and condemn that soul to an inanimate existence. Hieratic is a simplified, cursive form of Egyptian hieroglyphs. Like hieroglyphs, hieratic was used in sacred and religious texts. By the 1st millennium BC, calligraphic hieratic became the script predominantly used in funerary papyri and temple rolls. Whereas the writing of hieroglyphs required the utmost precision and care, cursive hieratic could be written much more quickly and was therefore more practical for scribal record-keeping. Its primary purpose was to serve as a shorthand script for non-royal, non-monumental, and less formal writings such as private letters, legal documents, poems, tax records, medical texts, mathematical treatises, and instructional guides. Hieratic could be written in two different styles; one was more calligraphic and usually reserved for government records and literary manuscripts, the other was used for informal accounts and letters. By the mid-1st millennium BC, hieroglyphs and hieratic were still used for royal, monumental, religious, and funerary writings, while a new, even more cursive script was used for informal, day-to-day writing: Demotic. The final script adopted by the ancient Egyptians was the Coptic alphabet, a revised version of the Greek alphabet. Coptic became the standard in the 4th century AD when Christianity became the state religion throughout the Roman Empire; hieroglyphs were discarded as idolatrous images of a pagan tradition, unfit for writing the Biblical canon. Egyptian literature was produced on a variety of media. Along with the chisel, necessary for making inscriptions on stone, the chief writing tool of ancient Egypt was the reed pen, a reed fashioned into a stem with a bruised, brush-like end. With pigments of carbon black and red ochre, the reed pen was used to write on scrolls of papyrus—a thin material made from beating together strips of pith from the Cyperus papyrus plant—as well as on small ceramic or limestone potsherds known as ostraca. It is thought that papyrus rolls were moderately expensive commercial items, since many are palimpsests, manuscripts that have had their original contents erased to make room for new written works. This, along with the practice of tearing pieces off of larger papyrus documents to make smaller letters, suggests that there were seasonal shortages caused by the limited growing season of Cyperus papyrus. It also explains the frequent use of ostraca and limestone flakes as writing media for shorter written works. In addition to stone, ceramic ostraca, and papyrus, writing media also included wood, ivory, and plaster. By the Roman Period of Egypt, the traditional Egyptian reed pen had been replaced by the chief writing tool of the Greco-Roman world: a shorter, thicker reed pen with a cut nib. Likewise, the original Egyptian pigments were discarded in favor of Greek lead-based inks. The adoption of Greco-Roman writing tools influenced Egyptian handwriting, as hieratic signs became more spaced, had rounder flourishes, and greater angular precision. Underground Egyptian tombs built in the desert provide possibly the most protective environment for the preservation of papyrus documents. For example, there are many well-preserved Book of the Dead funerary papyri placed in tombs to act as afterlife guides for the souls of the deceased tomb occupants. However, it was only customary during the late Middle Kingdom and first half of the New Kingdom to place non-religious papyri in burial chambers. Thus, the majority of well-preserved literary papyri are dated to this period. Writings on more permanent media have also been lost in several ways. Stones with inscriptions were frequently re-used as building materials, and ceramic ostraca require a dry environment to ensure the preservation of the ink on their surfaces. Whereas papyrus rolls and packets were usually stored in boxes for safekeeping, ostraca were routinely discarded in waste pits; one such pit was discovered by chance at the Ramesside-era village of Deir el-Medina, and has yielded the majority of known private letters on ostraca. Documents found at this site include letters, hymns, fictional narratives, recipes, business receipts, and wills and testaments. Although writing first appeared during the very late 4th millennium BC, it was only used to convey short names and labels; connected strings of text did not appear until about 2600 BC, at the beginning of the Old Kingdom. Old Egyptian remained a spoken language until about 2100 BC, when, during the beginning of the Middle Kingdom, it evolved into Middle Egyptian. While Middle Egyptian was closely related to Old Egyptian, Late Egyptian was significantly different in grammatical structure. Late Egyptian possibly appeared as a vernacular language as early as 1600 BC, but was not used as a written language until about 1300 BC during the Amarna Period of the New Kingdom. Late Egyptian evolved into Demotic by the 7th century BC, and although Demotic remained a spoken language until the 5th century AD, it was gradually replaced by Coptic beginning in the 1st century AD. Hieratic was used alongside hieroglyphs for writing in Old and Middle Egyptian, becoming the dominant form of writing in Late Egyptian. By the New Kingdom and throughout the rest of ancient Egyptian history, Middle Egyptian became a classical language that was usually reserved for reading and writing in hieroglyphs and the spoken language for more exalted forms of literature, such as historical records, commemorative autobiographies, hymns, and funerary spells. However, Middle Kingdom literature written in Middle Egyptian was also rewritten in hieratic during later periods. Throughout ancient Egyptian history, reading and writing were the main requirements for serving in public office, although government officials were assisted in their day-to-day work by an elite, literate social group known as scribes. Besides government employment, scribal services in drafting letters, sales documents, and legal documents would have been frequently sought by illiterate farmers, herdsmen, artisans, and other laborers, as well as merchants who required the assistance of scribal secretaries. The privileged status of the scribe over illiterate manual laborers was the subject of a popular Ramesside Period instructional text, The Satire of the Trades, where lowly, undesirable occupations, for example, potter, fisherman, laundry man, and soldier, were mocked and the scribal profession praised. A similar demeaning attitude towards the illiterate is expressed in the Middle Kingdom Teaching of Khety, which is used to reinforce the scribes' elevated position within the social hierarchy. The scribal class was the social group responsible for maintaining, transmitting, and canonizing literary classics, and writing new compositions. Classic works, such as the “Story of Sinuhe” and “Instructions of Amenemhat”, were copied by schoolboys as pedagogical exercises in writing and to instill the required ethical and moral values that distinguished the scribal social class. Wisdom texts of the "teaching" genre represent the majority of pedagogical texts written on ostraca during the Middle Kingdom; narrative tales, such as Sinuhe and King Neferkare and General Sasenet, were rarely copied for school exercises until the New Kingdom. The main protagonists of narrative tales such as Sinuhe and The shipwrecked sailor embodied the accepted virtues of the day, such as love of home or self-reliance. There is limited but solid evidence in Egyptian literature and art for the practice of oral reading of texts to audiences. The oral performance word "to recite" (šdj) was usually associated with biographies, letters, and spells. Singing (ḥsj) was meant for praise songs, love songs, funerary laments, and certain spells. Discourses such as “The Prophecy of Neferti” suggest that compositions were meant for oral reading among elite gatherings. In the 1st millennium BC Demotic short story cycle centered on the deeds of Petiese, the stories begin with the phrase "The voice which is before Pharaoh", which indicates that an oral speaker and audience was involved in the reading of the text. A fictional audience of high government officials and members of the royal court are mentioned in some texts, but a wider, non-literate audience may have been involved. For example, a funerary stela of Senusret I (ruler from /1971–1926 BC) explicitly mentions people who will gather and listen to a scribe who "recites" the stela inscriptions out loud. Literature also served religious purposes. Beginning with the Pyramid Texts of the Old Kingdom, works of funerary literature written on tomb walls, and later on coffins, and papyri placed within tombs, were designed to protect and nurture souls in their afterlife. This included the use of magical spells, incantations, and lyrical hymns. Copies of non-funerary literary texts found in non-royal tombs suggest that the dead could entertain themselves in the afterlife by reading these teaching texts and narrative tales. And although the creation of literature was predominantly a male scribal pursuit, some works are thought to have been written by women. For example, several references to women writing letters and surviving private letters sent and received by women have been found. Experts opine that Ancient Egyptian literature—narrowly defined as belles-lettres ("beautiful writing")—was not recorded in written form until the early Twelfth dynasty of the Middle Kingdom. Old Kingdom texts served mainly to maintain the divine cults, preserve souls in the afterlife, and document accounts for practical uses in daily life. It was not until the Middle Kingdom that texts were written for the purpose of entertainment and intellectual curiosity. It’s postulated that written works of the Middle Kingdom were transcriptions of the oral literature of the Old Kingdom. It is known that some oral poetry was preserved in later writing; for example, litter-bearers' songs were preserved as written verses in tomb inscriptions of the Old Kingdom. Another form of literature encompassed an "instructions" or "teaching" genre. These texts stress the need to comply with society's accepted dogmas. Examples of such texts include “The Maxims of Ptahhotep”, “Instructions of Kagemni”, “Teaching for King Merykare”, “Instructions of Amenemhat”, “Instruction of Hardjedef”, “Loyalist Teaching”, and “Instructions of Amenemope”. The genre of "tales and stories" is probably the least represented genre from surviving literature of the Middle Kingdom and Middle Egyptian. Major narrative works from the Middle Kingdom include the “Tale of the Court of King Cheops”, “King Neferkare and General Sasenet”, “The Eloquent Peasant”, “Story of Sinuhe”, and “Tale of the Shipwrecked Sailor.” The New Kingdom corpus of tales includes the “Quarrel of Apepi and Seqenenre”, “The Taking of Joppa”, “Tale of the Doomed Prince”, “Tale of Two Brothers”, and the “Report of Wenamun”. Stories from the 1st millennium BC written in Demotic include the story of the “Famine Stela” (set in the Old Kingdom, although written during the Ptolemaic dynasty) and short story cycles of the Ptolemaic and Roman periods that transform well-known historical figures such as Khaemweset (Nineteenth Dynasty) and Inaros (First Persian Period) into fictional, legendary heroes. Narrative tales and stories are most often found on papyri, but partial and sometimes complete texts are found on ostraca. For example, Sinuhe is found on five papyri composed during the Twelfth and Thirteenth dynasties.[106] This text was later copied numerous times on ostraca during the Nineteenth and Twentieth dynasties, with one ostraca containing the complete text on both sides. The Middle Kingdom genre of "prophetic texts", also known as "laments", "discourses", "dialogues", and "apocalyptic literature", include such works as the “Admonitions of Ipuwer”, “Prophecy of Neferti”, and “Dispute Between a Man and His Ba”. Egyptian prophetic literature underwent a revival during the Greek Ptolemaic dynasty and Roman period of Egypt with works such as the “Demotic Chronicle”, “Oracle of the Lamb”, and “Oracle of the Potter”. The themes typically include a pessimistic outlook, descriptions of social and religious change, and great disorder throughout the land. These texts are usually described as laments. Funerary poems were thought to preserve a monarch's soul in death. The Pyramid Texts are the earliest surviving religious literature incorporating poetic verse. These texts do not appear in tombs or pyramids originating before the reign of Unas (reigned from 2375–2345 BC), who had the Pyramid of Unas built at Saqqara. The Pyramid Texts are chiefly concerned with the function of preserving and nurturing the soul of the sovereign in the afterlife. This aim eventually included safeguarding both the sovereign and his subjects in the afterlife. A variety of textual traditions evolved from the original Pyramid Texts: the Coffin Texts of the Middle Kingdom, the so-called Book of the Dead, Litany of Ra, and Amduat written on papyri from the New Kingdom until the end of ancient Egyptian civilization. Poems were also written to celebrate kingship. For example, at the Precinct of Amun-Re at Karnak, Thutmose III (reigned from 1479–1425 BC) of the Eighteenth dynasty erected a stela commemorating his military victories in which the gods bless Thutmose in poetic verse and ensure for him victories over his enemies. In addition to stone stelas, poems have been found on wooden writing boards used by schoolboys. Aside from their glorification of kings, poems were written to honor various deities, and even the Nile. Surviving hymns and songs from the Old Kingdom include the morning greeting hymns to the gods in their respective temples. A cycle of Middle-Kingdom songs dedicated to Senusret III (reigned from 1878–1839 BC) were likely used to greet the pharaoh at Memphis. The Harper's Song, the lyrics found on a tombstone of the Middle Kingdom and on Papyrus Harris 500 from the New Kingdom, was to be performed for dinner guests at formal banquets. During the reign of Akhenaten (reigned from 1353–1336 BC), the Great Hymn to the Aten—preserved in tombs of Amarna, including the tomb of Ay—was written to the Aten, the sun-disk deity given exclusive patronage during his reign. There are many surviving examples of Late-Period Egyptian hymns written in hieroglyphs on temple walls. Papyrus rolls sealed with mud stamps were used for long-distance letters, while ostraca were frequently used to write shorter, non-confidential letters sent to recipients located nearby. Letters of royal or official correspondence, originally written in hieratic, were sometimes given the exalted status of being inscribed on stone in hieroglyphs. The oldest-known private letters on papyrus were found in a funerary temple dating to the reign of Djedkare-Izezi (2414–2375 BC) of the Fifth dynasty. More letters are dated to the Sixth dynasty. The Heqanakht papyri, written by a gentleman farmer, date to the Eleventh dynasty and represent some of the lengthiest private letters known to have been written in ancient Egypt. During the late Middle Kingdom, greater standardization of letters can be seen, for example in a series of model letters taken from dispatches sent to the Semna fortress of Nubia during the reign of Amenemhat III (reigned 1860–1814 BC. Letters were also written during all three dynasties of the New Kingdom. While letters to the dead had been written since the Old Kingdom, the writing of petition letters to deities began in the Ramesside Period, becoming very popular during the Persian and Ptolemaic periods. The earliest commemorative inscriptions belong to the 3rd millennium BC. Formulaic accounts of Pharaoh's lives praised the continuity of dynastic power. Such pronouncements were public, general testimonials, not personal utterances. Biographies did not exist in ancient Egypt, however experts generally consider such commemorative as autobiographical. Funerary texts age generally considered biographical instead of autobiographical. Beginning with the funerary stelas for officials of the late Third dynasty, small amounts of biographical detail were added next to the deceased men's titles. However, it was not until the Sixth dynasty that narratives of the lives and careers of government officials were inscribed. Tomb biographies became more detailed during the Middle Kingdom, and included information about the deceased person's family. The vast majority of autobiographical texts are dedicated to scribal bureaucrats, but during the New Kingdom some were dedicated to military officers and soldiers. Autobiographical texts of the Late Period place a greater stress upon seeking help from deities than acting righteously to succeed in life. Whereas earlier autobiographical texts exclusively dealt with celebrating successful lives, Late Period autobiographical texts include laments for premature death, similar to the epitaphs of ancient Greece. Modern historians consider that some biographical—or autobiographical—texts are important historical documents. For example, the biographical stelas of military generals in tomb chapels built under Thutmose III provide much of the information known about the wars in Syria and Palestine. The annals of Thutmose III, carved into the walls of several monuments built during his reign, such as those at Karnak, also preserve information about these campaigns.[ The annals of Ramesses II (reigned 1279–1213 BC), recounting the Battle of Kadesh against the Hittites include, for the first time in Egyptian literature, a narrative epic poem, distinguished from all earlier poetry, which served to celebrate and instruct. Other documents useful for investigating Egyptian history are ancient lists of kings found in terse chronicles, such as the Fifth dynasty Palermo stone. These documents legitimated the contemporary pharaoh's claim to sovereignty. Throughout ancient Egyptian history, royal decrees recounted the deeds of ruling pharaohs. For example, the Nubian pharaoh Piye (reigned 752–721 BC), founder of the Twenty-fifth dynasty, had a stela erected and written in classical Middle Egyptian that describes with unusual nuances and vivid imagery his successful military campaigns. During the New Kingdom, scribes who traveled to ancient sites often left graffiti messages on the walls of sacred mortuary temples and pyramids, usually in commemoration of these structures. Modern scholars do not consider these scribes to have been mere tourists, but pilgrims visiting sacred sites where the extinct cult centers could be used for communicating with the gods. There is evidence from an educational ostracon found in the tomb of Senenmut (TT71) that formulaic graffiti writing was practiced in scribal schools. Scribes usually wrote their graffiti in separate clusters to distinguish their graffiti from others'. After the Copts converted to Christianity in the first centuries AD, their Coptic Christian literature became separated from the pharaonic and Hellenistic literary traditions. The ability to read and write in all three of the ancient Egyptian forms was lost. The most recently carved hieroglyphic inscription of ancient Egypt known today is found in a temple of Philae, dated precisely to 394 AD during the reign of Roman Emperor Theodosius I (reigned. 379–395 AD). In the 4th century AD, the Hellenized Egyptian Horapollo compiled a survey of almost two hundred Egyptian hieroglyphs and provided his interpretation of their meanings, although his understanding was limited and he was unaware of the phonetic uses of each hieroglyph. This survey was apparently lost until 1415, when the Italian Cristoforo Buondelmonti acquired it at the island of Andros. Athanasius Kircher (1601–1680) was the first in Europe to realize that Coptic was a direct linguistic descendant of ancient Egyptian. In his Oedipus Aegyptiacus, he made the first concerted European effort to interpret the meaning of Egyptian hieroglyphs, albeit based on symbolic inferences. It was not until 1799, with the Napoleonic discovery of a trilingual (i.e. hieroglyphic, Demotic, Greek) stela inscription on the Rosetta Stone, that modern scholars were able to decipher ancient Egyptian literature. The first major effort to translate the hieroglyphs of the Rosetta Stone was made by Jean-François Champollion (1790–1832) in 1822. The earliest translation efforts of Egyptian literature during the 19th century were attempts to confirm Biblical events [Wikipedia]. A History of Ancient Egypt: Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in the place that is now the country Egypt. It is one of six historic civilizations to arise independently. Egyptian civilization followed prehistoric Egypt and coalesced around 3150 B.C. (according to conventional Egyptian chronology) with the political unification of Upper and Lower Egypt under Menes (often identified with Narmer). The history of ancient Egypt occurred as a series of stable kingdoms, separated by periods of relative instability known as Intermediate Periods: the Old Kingdom of the Early Bronze Age, the Middle Kingdom of the Middle Bronze Age and the New Kingdom of the Late Bronze Age. Egypt reached the pinnacle of its power in the New Kingdom, during the Ramesside period, where it rivaled the Hittite Empire, Assyrian Empire and Mitanni Empire, after which it entered a period of slow decline. Egypt was invaded or conquered by a succession of foreign powers, such as the Canaanites/Hyksos, Libyans, the Nubians, the Assyrians, Babylonians, the Achaemenid Persians, and the Macedonians in the Third Intermediate Period and the Late Period of Egypt. In the aftermath of Alexander the Great's death, one of his generals, Ptolemy Soter, established himself as the new ruler of Egypt. This Greek Ptolemaic Kingdom ruled Egypt until 30 B.C., when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture. The predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. With resources to spare, the administration sponsored mineral exploitation of the valley and surrounding desert regions, the early development of an independent writing system, the organization of collective construction and agricultural projects, trade with surrounding regions, and a military intended to defeat foreign enemies and assert Egyptian dominance. Motivating and organizing these activities was a bureaucracy of elite scribes, religious leaders, and administrators under the control of a pharaoh, who ensured the cooperation and unity of the Egyptian people in the context of an elaborate system of religious beliefs. The many achievements of the ancient Egyptians include the quarrying, surveying and construction techniques that supported the building of monumental pyramids, temples, and obelisks; a system of mathematics, a practical and effective system of medicine, irrigation systems and agricultural production techniques, the first known planked boats, Egyptian faience and glass technology, new forms of literature, and the earliest known peace treaty, made with the Hittites. Egypt left a lasting legacy. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world. Its monumental ruins have inspired the imaginations of travelers and writers for centuries. A new-found respect for antiquities and excavations in the early modern period by Europeans and Egyptians led to the scientific investigation of Egyptian civilization and a greater appreciation of its cultural legacy. The Nile has been the lifeline of its region for much of human history. The fertile floodplain of the Nile gave humans the opportunity to develop a settled agricultural economy and a more sophisticated, centralized society that became a cornerstone in the history of human civilization. Nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the arid climate of Northern Africa became increasingly hot and dry, forcing the populations of the area to concentrate along the river region. In Predynastic and Early Dynastic times, the Egyptian climate was much less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates. Foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. By about 5500 B.C., small tribes living in the Nile valley had developed into a series of cultures demonstrating firm control of agriculture and animal husbandry, and identifiable by their pottery and personal items, such as combs, bracelets, and beads. The largest of these early cultures in upper (Southern) Egypt was the Badari, which probably originated in the Western Desert; it was known for its high quality ceramics, stone tools, and its use of copper. The Badari was followed by the Amratian (Naqada I) and Gerzeh (Naqada II) cultures, which brought a number of technological improvements. As early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan and the Byblos coast. Over a period of about 1,000 years, the Naqada culture developed from a few small farming communities into a powerful civilization whose leaders were in complete control of the people and resources of the Nile valley. Establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the western desert to the west, and the cultures of the eastern Mediterranean and Near East to the east. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the white crown of Egypt and falcon. The Naqada culture manufactured a diverse selection of material goods, reflective of the increasing power and wealth of the elite, as well as societal personal-use items, which included combs, small statuary, painted pottery, high quality decorative stone vases, cosmetic palettes, and jewelry made of gold, lapis, and ivory. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a full system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilization of Mesopotamia and of ancient Elam. The third-century B.C. Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today. He chose to begin his official history with the king named "Meni" (or Menes in Greek) who was believed to have united the two kingdoms of Upper and Lower Egypt (around 3100 B.C.). The transition to a unified state happened more gradually than ancient Egyptian writers represented, and there is no contemporary record of Menes. Some scholars now believe, however, that the mythical Menes may have been the pharaoh Narmer, who is depicted wearing royal regalia on the ceremonial Narmer Palette, in a symbolic act of unification. In the Early Dynastic Period about 3150 B.C., the first of the Dynastic pharaohs solidified control over lower Egypt by establishing a capital at Memphis, from which he could control the labor force and agriculture of the fertile delta region, as well as the lucrative and critical trade routes to the Levant. The increasing power and wealth of the pharaohs during the early dynastic period was reflected in their elaborate mastaba tombs and mortuary cult structures at Abydos, which were used to celebrate the deified pharaoh after his death. The strong institution of kingship developed by the pharaohs served to legitimize state control over the land, labor, and resources that were essential to the survival and growth of ancient Egyptian civilization. Major advances in architecture, art, and technology were made during the Old Kingdom, fueled by the increased agricultural productivity and resulting population, made possible by a well-developed central administration. Some of ancient Egypt's crowning achievements, the Giza pyramids and Great Sphinx, were constructed during the Old Kingdom. Under the direction of the vizier, state officials collected taxes, coordinated irrigation projects to improve crop yield, drafted peasants to work on construction projects, and established a justice system to maintain peace and order. Along with the rising importance of a central administration arose a new class of educated scribes and officials who were granted estates by the pharaoh in payment for their services. Pharaohs also made land grants to their mortuary cults and local temples, to ensure that these institutions had the resources to worship the pharaoh after his death. Scholars believe that five centuries of these practices slowly eroded the economic power of the pharaoh, and that the economy could no longer afford to support a large centralized administration. As the power of the pharaoh diminished, regional governors called nomarchs began to challenge the supremacy of the pharaoh. This, coupled with severe droughts between 2200 and 2150 B.C., is assumed to have caused the country to enter the 140-year period of famine and strife known as the First Intermediate Period. After Egypt's central government collapsed at the end of the Old Kingdom, the administration could no longer support or stabilize the country's economy. Regional governors could not rely on the king for help in times of crisis, and the ensuing food shortages and political disputes escalated into famines and small-scale civil wars. Yet despite difficult problems, local leaders, owing no tribute to the pharaoh, used their new-found independence to establish a thriving culture in the provinces. Once in control of their own resources, the provinces became economically richer—which was demonstrated by larger and better burials among all social classes. In bursts of creativity, provincial artisans adopted and adapted cultural motifs formerly restricted to the royalty of the Old Kingdom, and scribes developed literary styles that expressed the optimism and originality of the period. Free from their loyalties to the pharaoh, local rulers began competing with each other for territorial control and political power. By 2160 B.C., rulers in Herakleopolis controlled Lower Egypt in the north, while a rival clan based in Thebes, the Intef family, took control of Upper Egypt in the south. As the Intefs grew in power and expanded their control northward, a clash between the two rival dynasties became inevitable. Around 2055 B.C. the northern Theban forces under Nebhepetre Mentuhotep II finally defeated the Herakleopolitan rulers, reuniting the Two Lands. They inaugurated a period of economic and cultural renaissance known as the Middle Kingdom. The pharaohs of the Middle Kingdom restored the country's prosperity and stability, thereby stimulating a resurgence of art, literature, and monumental building projects. Mentuhotep II and his Eleventh Dynasty successors ruled from Thebes, but the vizier Amenemhat I, upon assuming kingship at the beginning of the Twelfth Dynasty around 1985 B.C., shifted the nation's capital to the city of Itjtawy, located in Faiyum. From Itjtawy, the pharaohs of the Twelfth Dynasty undertook a far-sighted land reclamation and irrigation scheme to increase agricultural output in the region. Moreover, the military reconquered territory in Nubia that was rich in quarries and gold mines, while laborers built a defensive structure in the Eastern Delta, called the "Walls-of-the-Ruler", to defend against foreign attack. With the pharaohs' having secured military and political security and vast agricultural and mineral wealth, the nation's population, arts, and religion flourished. In contrast to elitist Old Kingdom attitudes towards the gods, the Middle Kingdom experienced an increase in expressions of personal piety and what could be called a democratization of the afterlife, in which all people possessed a soul and could be welcomed into the company of the gods after death. Middle Kingdom literature featured sophisticated themes and characters written in a confident, eloquent style. The relief and portrait sculpture of the period captured subtle, individual details that reached new heights of technical perfection. The last great ruler of the Middle Kingdom, Amenemhat III, allowed Semitic-speaking Canaanite settlers from the Near East into the delta region to provide a sufficient labor force for his especially active mining and building campaigns. These ambitious building and mining activities, however, combined with severe Nile floods later in his reign, strained the economy and precipitated the slow decline into the Second Intermediate Period during the later Thirteenth and Fourteenth dynasties. During this decline, the Canaanite settlers began to seize control of the delta region, eventually coming to power in Egypt as the Hyksos. Around 1785 B.C., as the power of the Middle Kingdom pharaohs weakened, a Western Asian people called the Hyksos had already settled in the Eastern Delta town of Avaris, seized control of Egypt, and forced the central government to retreat to Thebes. The pharaoh was treated as a vassal and expected to pay tribute. The Hyksos ("foreign rulers") retained Egyptian models of government and identified as pharaohs, thus integrating Egyptian elements into their culture. They and other invaders introduced new tools of warfare into Egypt, most notably the composite bow and the horse-drawn chariot. After their retreat, the native Theban kings found themselves trapped between the Canaanite Hyksos ruling the north and the Hyksos' Nubian allies, the Kushites, to the south of Egypt. After years of vassalage, Thebes gathered enough strength to challenge the Hyksos in a conflict that lasted more than 30 years, until 1555 B.C. The pharaohs Seqenenre Tao II and Kamose were ultimately able to defeat the Nubians to the south of Egypt, but failed to defeat the Hyksos. That task fell to Kamose's successor, Ahmose I, who successfully waged a series of campaigns that permanently eradicated the Hyksos' presence in Egypt. He established a new dynasty. In the New Kingdom that followed, the military became a central priority for the pharaohs seeking to expand Egypt's borders and attempting to gain mastery of the Near East. The New Kingdom pharaohs established a period of unprecedented prosperity by securing their borders and strengthening diplomatic ties with their neighbors, including the Mitanni Empire, Assyria, and Canaan. Military campaigns waged under Tuthmosis I and his grandson Tuthmosis III extended the influence of the pharaohs to the largest empire Egypt had ever seen. Between their reigns, Hatshepsut generally promoted peace and restored trade routes lost during the Hyksos occupation, as well as expanding to new regions. When Tuthmosis III died in 1425 B.C., Egypt had an empire extending from Niya in north west Syria to the fourth waterfall of the Nile in Nubia, cementing loyalties and opening access to critical imports such as bronze and wood. The New Kingdom pharaohs began a large-scale building campaign to promote the god Amun, whose growing cult was based in Karnak. They also constructed monuments to glorify their own achievements, both real and imagined. The Karnak temple is the largest Egyptian temple ever built. The pharaoh Hatshepsut used such hyperbole and grandeur during her reign of almost twenty-two years. Her reign was very successful, marked by an extended period of peace and wealth-building, trading expeditions to Punt, restoration of foreign trade networks, and great building projects, including an elegant mortuary temple that rivaled the Greek architecture of a thousand years later, a colossal pair of obelisks, and a chapel at Karnak. Despite her achievements, Amenhotep II, the heir to Hatshepsut's nephew-stepson Tuthmosis III, sought to erase her legacy near the end of his father's reign and throughout his, touting many of her accomplishments as his. He also tried to change many established traditions that had developed over the centuries, which some suggest was a futile attempt to prevent other women from becoming pharaoh and to curb their influence in the kingdom. Around 1350 B.C., the stability of the New Kingdom seemed threatened further when Amenhotep IV ascended the throne and instituted a series of radical and chaotic reforms. Changing his name to Akhenaten, he touted the previously obscure sun deity Aten as the supreme deity, suppressed the worship of most other deities, and attacked the power of the temple that had become dominated by the priests of Amun in Thebes, whom he saw as corrupt. Moving the capital to the new city of Akhetaten (modern-day Amarna), Akhenaten turned a deaf ear to events in the Near East (where the Hittites, Mitanni, and Assyrians were vying for control). He was devoted to his new religion and artistic style. After his death, the cult of the Aten was quickly abandoned, The priests of Amun soon regained power and returned the capital to Thebes. Under their influence the subsequent pharaohs Tutankhamun, Ay, and Horemheb worked to erase all mention of Akhenaten's heresy, now known as the Amarna Period. Around 1279 B.C., Ramesses II, also known as Ramesses the Great, ascended the throne, and went on to build more temples, erect more statues and obelisks, and sire more children than any other pharaoh in history. A bold military leader, Ramesses II led his army against the Hittites in the Battle of Kadesh (in modern Syria) and, after fighting to a stalemate, finally agreed to the first recorded peace treaty, around 1258 B.C. With both the Egyptians and Hittite Empire proving unable to gain the upper hand over one another, and both powers also fearful of the expanding Middle Assyrian Empire, Egypt withdrew from much of the Near East. The Hittites were thus left to compete unsuccessfully with the powerful Assyrians and the newly arrived Phrygians. Egypt's wealth, however, made it a tempting target for invasion, particularly by the Libyan Berbers to the west, and the Sea Peoples, a conjectured confederation of seafarers from the Aegean Sea. Initially, the military was able to repel these invasions, but Egypt eventually lost control of its remaining territories in southern Canaan, much of it falling to the Assyrians. The effects of external threats were exacerbated by internal problems such as corruption, tomb robbery, and civil unrest. After regaining their power, the high priests at the temple of Amun in Thebes accumulated vast tracts of land and wealth, and their expanded power splintered the country during the Third Intermediate Period. Following the death of Ramesses XI in 1078 B.C., Smendes assumed authority over the northern part of Egypt, ruling from the city of Tanis. The south was effectively controlled by the High Priests of Amun at Thebes, who recognized Smendes in name only. During this time, Berber tribes from what was later to be called Libya had been settling in the western delta, and the chieftains of these settlers began increasing their autonomy. Libyan princes took control of the delta under Shoshenq I in 945 B.C., founding the Libyan Berber, or Bubastite, dynasty that ruled for some 200 years. Shoshenq also gained control of southern Egypt by placing his family members in important priestly positions. In the mid-ninth century B.C., Egypt made a failed attempt to once more gain a foothold in Western Asia. Osorkon II of Egypt, along with a large alliance of nations and peoples, including Persia, Israel, Hamath, Phoenicia/Canaan, the Arabs, Arameans, and neo Hittites among others, engaged in the Battle of Karkar against the powerful Assyrian king Shalmaneser III in 853 B.C. However, this coalition of powers failed and the Neo Assyrian Empire continued to dominate Western Asia. Libyan Berber control began to erode as a rival native dynasty in the delta arose under Leontopolis. Also, the Nubians of the Kushites threatened Egypt from the lands to the south. Around 730 B.C. Libyans from the west fractured the political unity of the country Drawing on millennia of interaction (trade, acculturation, occupation, assimilation, and war) with Egypt, the Kushite king Piye left his Nubian capital of Napata and invaded Egypt around 727 B.C. Piye easily seized control of Thebes and eventually the Nile Delta. He recorded the episode on his stela of victory. Piye set the stage for subsequent Twenty-fifth dynasty pharaohs, such as Taharqa, to reunite the "Two lands" of Northern and Southern Egypt. The Nile valley empire was as large as it had been since the New Kingdom. The Twenty-fifth dynasty ushered in a renaissance period for ancient Egypt. Religion, the arts, and architecture were restored to their glorious Old, Middle, and New Kingdom forms. Pharaohs, such as Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, Jebel Barkal, etc. It was during the Twenty-fifth dynasty that there was the first widespread construction of pyramids (many in modern Sudan) in the Nile Valley since the Middle Kingdom. Piye made various unsuccessful attempts to extend Egyptian influence in the Near East, then controlled by Assyria. In 720 B.C., he sent an army in support of a rebellion against Assyria, which was taking place in Philistia and Gaza. However, Piye was defeated by Sargon II and the rebellion failed. In 711 B.C., Piye again supported a revolt against Assyria by the Israelites of Ashdod and was once again defeated by the Assyrian king Sargon II. Subsequently, Piye was forced from the Near East. From the 10th century B.C. onwards, Assyria fought for control of the southern Levant. Frequently, cities and kingdoms of the southern Levant appealed to Egypt for aid in their struggles against the powerful Assyrian army. Taharqa enjoyed some initial success in his attempts to regain a foothold in the Near East. Taharqa aided the Judean King Hezekiah when Hezekiah and Jerusalem was besieged by the Assyrian king, Sennacherib. Scholars disagree on the primary reason for Assyria's abandonment of their siege on Jerusalem. Reasons for the Assyrian withdrawal range from conflict with the Egyptian/Kushite army to divine intervention to surrender to disease. Henry Aubin argues that the Kushite/Egyptian army saved Jerusalem from the Assyrians and prevented the Assyrians from returning to capture Jerusalem for the remainder of Sennacherib's life (20 years). Some argue that disease was the primary reason for failing to actually take the city; however, Senacherib's annals claim Judah was forced into tribute regardless. Sennacherib had been murdered by his own sons for destroying the rebellious city of Babylon, a city sacred to all Mesopotamians, the Assyrians included. In 674 B.C. Esarhaddon launched a preliminary incursion into Egypt; however, this attempt was repelled by Taharqa. However, in 671 B.C., Esarhaddon launched a full-scale invasion. Part of his army stayed behind to deal with rebellions in Phoenicia, and Israel. The remainder went south to Rapihu, then crossed the Sinai, and entered Egypt. Esarhaddon decisively defeated Taharqa, took Memphis, Thebes and all the major cities of Egypt, and Taharqa was chased back to his Nubian homeland. Esarhaddon now called himself "king of Egypt, Patros, and Kush", and returned with rich booty from the cities of the delta; he erected a victory stele at this time, and paraded the captive Prince Ushankhuru, the son of Taharqa in Nineveh. Esarhaddon stationed a small army in northern Egypt and describes how "All Ethiopians (read Nubians/Kushites) I deported from Egypt, leaving not one left to do homage to me". He installed native Egyptian princes throughout the land to rule on his behalf. The conquest by Esarhaddon effectively marked the end of the short lived Kushite Empire. However, the native Egyptian rulers installed by Esarhaddon were unable to retain full control of the whole country for long. Two years later, Taharqa returned from Nubia and seized control of a section of southern Egypt as far north as Memphis. Esarhaddon prepared to return to Egypt and once more eject Taharqa; however, he fell ill and died in his capital, Nineveh, before he left Assyria. His successor, Ashurbanipal, sent an Assyrian general named Sha-Nabu-shu with a small, but well trained army, which conclusively defeated Taharqa at Memphis and once more drove him from Egypt. Taharqa died in Nubia two years later. His successor, Tanutamun, also made a failed attempt to regain Egypt for Nubia. He successfully defeated Necho, the native Egyptian puppet ruler installed by Ashurbanipal, taking Thebes in the process. The Assyrians then sent a large army southwards. Tantamani (Tanutamun) was heavily routed and fled back to Nubia. The Assyrian army sacked Thebes to such an extent it never truly recovered. A native ruler, Psammetichus I was placed on the throne, as a vassal of Ashurbanipal, and the Nubians were never again to pose a threat to either Assyria or Egypt. With no permanent plans for conquest, the Assyrians left control of Egypt to a series of vassals who became known as the Saite kings of the Twenty-sixth Dynasty. By 653 B.C., the Saite king Psamtik I (taking advantage of the fact that Assyria was involved in a fierce war conquering Elam and that few Assyrian troops were stationed in Egypt) was able to free Egypt relatively peacefully from Assyrian vassalage with the help of Lydian and Greek mercenaries, the latter of whom were recruited to form Egypt's first navy. Psamtik and his successors however were careful to maintain peaceful relations with Assyria. Greek influence expanded greatly as the city of Naukratis became the home of Greeks in the delta. In 609 B.C. Necho II went to war with Babylonia, the Chaldeans, the Medians and the Scythians in an attempt to save Assyria, which after a brutal civil war was being overrun by this coalition of powers. However, the attempt to save Egypt's former masters failed. The Egyptians delayed intervening too long, and Nineveh had already fallen and King Sin-shar-ishkun was dead by the time Necho II sent his armies northwards. However, Necho easily brushed aside the Israelite army under King Josiah but he and the Assyrians then lost a battle at Harran to the Babylonians, Medes and Scythians. Necho II and Ashur-uballit II of Assyria were finally defeated at Carchemish in Aramea (modern Syria) in 605 B.C. The Egyptians remained in the area for some decades, struggling with the Babylonian kings Nabopolassar and Nebuchadnezzar II for control of portions of the former Assyrian Empire in The Levant. However, they were eventually driven back into Egypt, and Nebuchadnezzar II even briefly invaded Egypt itself in 567 B.C. The Saite kings based in the new capital of Sais witnessed a brief but spirited resurgence in the economy and culture, but in 525 B.C., the powerful Persians, led by Cambyses II, began their conquest of Egypt, eventually capturing the pharaoh Psamtik III at the battle of Pelusium. Cambyses II then assumed the formal title of pharaoh, but ruled Egypt from his home of Susa in Persia (modern Iran), leaving Egypt under the control of a satrapy. A few temporarily successful revolts against the Persians marked the fifth century B.C., but Egypt was never able to permanently overthrow the Persians. Following its annexation by Persia, Egypt was joined with Cyprus and Phoenicia (modern Lebanon) in the sixth satrapy of the Achaemenid Persian Empire. This first period of Persian rule over Egypt, also known as the Twenty-seventh dynasty, ended after more than one-hundred years in 402 B.C., and from 380 to 343 B.C. the Thirtieth Dynasty ruled as the last native royal house of dynastic Egypt, which ended with the kingship of Nectanebo II. A brief restoration of Persian rule, sometimes known as the Thirty-first Dynasty, began in 343 B.C., but shortly after, in 332 B.C., the Persian ruler Mazaces handed Egypt over to the Macedonian ruler Alexander the Great without a fight. In 332 B.C., Alexander the Great conquered Egypt with little resistance from the Persians and was welcomed by the Egyptians as a deliverer. The administration established by Alexander's successors, the Macedonian Ptolemaic Kingdom, was based on an Egyptian model and based in the new capital city of Alexandria. The city showcased the power and prestige of Hellenistic rule, and became a seat of learning and culture, centered at the famous Library of Alexandria. The Lighthouse of Alexandria lit the way for the many ships that kept trade flowing through the city—as the Ptolemies made commerce and revenue-generating enterprises, such as papyrus manufacturing, their top priority. Hellenistic culture did not supplant native Egyptian culture, as the Ptolemies supported time-honored traditions in an effort to secure the loyalty of the populace. They built new temples in Egyptian style, supported traditional cults, and portrayed themselves as pharaohs. Some traditions merged, as Greek and Egyptian gods were syncretized into composite deities, such as Serapis, and classical Greek forms of sculpture influenced traditional Egyptian motifs. Despite their efforts to appease the Egyptians, the Ptolemies were challenged by native rebellion, bitter family rivalries, and the powerful mob of Alexandria that formed after the death of Ptolemy IV. In addition, as Rome relied more heavily on imports of grain from Egypt, the Romans took great interest in the political situation in the country. Continued Egyptian revolts, ambitious politicians, and powerful Syriac opponents from the Near East made this situation unstable, leading Rome to send forces to secure the country as a province of its empire. The Fayum mummy portraits epitomize the meeting of Egyptian and Roman cultures. Egypt became a province of the Roman Empire in 30 B.C., following the defeat of Marc Antony and Ptolemaic Queen Cleopatra VII by Octavian (later Emperor Augustus) in the Battle of Actium. The Romans relied heavily on grain shipments from Egypt, and the Roman army, under the control of a prefect appointed by the Emperor, quelled rebellions, strictly enforced the collection of heavy taxes, and prevented attacks by bandits, which had become a notorious problem during the period. Alexandria became an increasingly important center on the trade route with the orient, as exotic luxuries were in high demand in Rome. Although the Romans had a more hostile attitude than the Greeks towards the Egyptians, some traditions such as mummification and worship of the traditional gods continued. The art of mummy portraiture flourished, and some Roman emperors had themselves depicted as pharaohs, though not to the extent that the Ptolemies had. The former lived outside Egypt and did not perform the ceremonial functions of Egyptian kingship. Local administration became Roman in style and closed to native Egyptians. From the mid-first century AD, Christianity took root in Egypt and it was originally seen as another cult that could be accepted. However, it was an uncompromising religion that sought to win converts from Egyptian Religion and Greco-Roman religion and threatened popular religious traditions. This led to the persecution of converts to Christianity, culminating in the great purges of Diocletian starting in 303, but eventually Christianity won out. In 391 the Christian Emperor Theodosius introduced legislation that banned pagan rites and closed temples. Alexandria became the scene of great anti-pagan riots with public and private religious imagery destroyed. As a consequence, Egypt's native religious culture was continually in decline. The native population certainly continued to speak their language. However the ability to read hieroglyphic writing slowly disappeared as the role of the Egyptian temple priests and priestesses diminished. The temples themselves were sometimes converted to churches or abandoned to the desert. The pharaoh was the absolute monarch of the country and, at least in theory, wielded complete control of the land and its resources. The king was the supreme military commander and head of the government, who relied on a bureaucracy of officials to manage his affairs. In charge of the administration was his second in command, the vizier, who acted as the king's representative and coordinated land surveys, the treasury, building projects, the legal system, and the archives. At a regional level, the country was divided into as many as 42 administrative regions called nomes each governed by a nomarch, who was accountable to the vizier for his jurisdiction. The temples formed the backbone of the economy. Not only were they houses of worship, but were also responsible for collecting and storing the nation's wealth in a system of granaries and treasuries administered by overseers, who redistributed grain and goods. Much of the economy was centrally organized and strictly controlled. Although the ancient Egyptians did not use coinage until the Late period, they did use a type of money-barter system, with standard sacks of grain and the deben, a weight of roughly 91 grams (3 oz) of copper or silver, forming a common denominator. Workers were paid in grain; a simple laborer might earn 5½ sacks (200 kg or 400 lb) of grain per month, while a foreman might earn 7½ sacks (250 kg or 550 lb). Prices were fixed across the country and recorded in lists to facilitate trading; for example a shirt cost five copper deben, while a cow cost 140 deben. Grain could be traded for other goods, according to the fixed price list. During the fifth century B.C. coined money was introduced into Egypt from abroad. At first the coins were used as standardized pieces of precious metal rather than true money, but in the following centuries international traders came to rely on coinage. Egyptian society was highly stratified, and social status was expressly displayed. Farmers made up the bulk of the population, but agricultural produce was owned directly by the state, temple, or noble family that owned the land. Farmers were also subject to a labor tax and were required to work on irrigation or construction projects in a corvée system. Artists and craftsmen were of higher status than farmers, but they were also under state control, working in the shops attached to the temples and paid directly from the state treasury. Scribes and officials formed the upper class in ancient Egypt, known as the "white kilt class" in reference to the bleached linen garments that served as a mark of their rank. The upper class prominently displayed their social status in art and literature. Below the nobility were the priests, physicians, and engineers with specialized training in their field. Slavery was known in ancient Egypt, but the extent and prevalence of its practice are unclear. The ancient Egyptians viewed men and women, including people from all social classes except slaves, as essentially equal under the law, and even the lowliest peasant was entitled to petition the vizier and his court for redress. Although slaves were mostly used as indentured servants, they were able to buy and sell their servitude, work their way to freedom or nobility, and were usually treated by doctors in the workplace. Both men and women had the right to own and sell property, make contracts, marry and divorce, receive inheritance, and pursue legal disputes in court. Married couples could own property jointly and protect themselves from divorce by agreeing to marriage contracts, which stipulated the financial obligations of the husband to his wife and children should the marriage end. Compared with their counterparts in ancient Greece, Rome, and even more modern places around the world, ancient Egyptian women had a greater range of personal choices and opportunities for achievement. Women such as Hatshepsut and Cleopatra VII even became pharaohs, while others wielded power as Divine Wives of Amun. Despite these freedoms, ancient Egyptian women did not often take part in official roles in the administration, served only secondary roles in the temples, and were not as likely to be as educated as men. The head of the legal system was officially the pharaoh, who was responsible for enacting laws, delivering justice, and maintaining law and order, a concept the ancient Egyptians referred to as Ma'at. Although no legal codes from ancient Egypt survive, court documents show that Egyptian law was based on a common-sense view of right and wrong that emphasized reaching agreements and resolving conflicts rather than strictly adhering to a complicated set of statutes. Local councils of elders, known as Kenbet in the New Kingdom, were responsible for ruling in court cases involving small claims and minor disputes. More serious cases involving murder, major land transactions, and tomb robbery were referred to the Great Kenbet, over which the vizier or pharaoh presided. Plaintiffs and defendants were expected to represent themselves and were required to swear an oath that they had told the truth. In some cases, the state took on both the role of prosecutor and judge, and it could torture the accused with beatings to obtain a confession and the names of any co-conspirators. Whether the charges were trivial or serious, court scribes documented the complaint, testimony, and verdict of the case for future reference. Punishment for minor crimes involved either imposition of fines, beatings, facial mutilation, or exile, depending on the severity of the offense. Serious crimes such as murder and tomb robbery were punished by execution, carried out by decapitation, drowning, or impaling the criminal on a stake. Punishment could also be extended to the criminal's family. Beginning in the New Kingdom, oracles played a major role in the legal system, dispensing justice in both civil and criminal cases. The procedure was to ask the god a "yes" or "no" question concerning the right or wrong of an issue. The god, carried by a number of priests, rendered judgment by choosing one or the other, moving forward or backward, or pointing to one of the answers written on a piece of papyrus or an ostracon. A combination of favorable geographical features contributed to the success of ancient Egyptian culture, the most important of which was the rich fertile soil resulting from annual inundations of the Nile River. The ancient Egyptians were thus able to produce an abundance of food, allowing the population to devote more time and resources to cultural, technological, and artistic pursuits. Land management was crucial in ancient Egypt because taxes were assessed based on the amount of land a person owned. Farming in Egypt was dependent on the cycle of the Nile River. The Egyptians recognized three seasons: Akhet (flooding), Peret (planting), and Shemu (harvesting). The flooding season lasted from June to September, depositing on the river's banks a layer of mineral-rich silt ideal for growing crops. After the floodwaters had receded, the growing season lasted from October to February. Farmers plowed and planted seeds in the fields, which were irrigated with ditches and canals. Egypt received little rainfall, so farmers relied on the Nile to water their crops. From March to May, farmers used sickles to harvest their crops, which were then threshed with a flail to separate the straw from the grain. Winnowing removed the chaff from the grain, and the grain was then ground into flour, brewed to make beer, or stored for later use. The ancient Egyptians cultivated emmer and barley, and several other cereal grains, all of which were used to make the two main food staples of bread and beer. Flax plants, uprooted before they started flowering, were grown for the fibers of their stems. These fibers were split along their length and spun into thread, which was used to weave sheets of linen and to make clothing. Papyrus growing on the banks of the Nile River was used to make paper. Vegetables and fruits were grown in garden plots, close to habitations and on higher ground, and had to be watered by hand. Vegetables included leeks, garlic, melons, squashes, pulses, lettuce, and other crops, in addition to grapes that were made into wine. The Egyptians believed that a balanced relationship between people and animals was an essential element of the cosmic order; thus humans, animals and plants were believed to be members of a single whole. Animals, both domesticated and wild, were therefore a critical source of spirituality, companionship, and sustenance to the ancient Egyptians. Cattle were the most important livestock; the administration collected taxes on livestock in regular censuses, and the size of a herd reflected the prestige and importance of the estate or temple that owned them. In addition to cattle, the ancient Egyptians kept sheep, goats, and pigs. Poultry, such as ducks, geese, and pigeons, were captured in nets and bred on farms, where they were force-fed with dough to fatten them. The Nile provided a plentiful source of fish. Bees were also domesticated from at least the Old Kingdom, and provided both honey and wax. The ancient Egyptians used donkeys and oxen as beasts of burden, and they were responsible for plowing the fields and trampling seed into the soil. The slaughter of a fattened ox was also a central part of an offering ritual. Horses were introduced by the Hyksos in the Second Intermediate Period. Camels, although known from the New Kingdom, were not used as beasts of burden until the Late Period. There is also evidence to suggest that elephants were briefly utilized in the Late Period but largely abandoned due to lack of grazing land. Dogs, cats, and monkeys were common family pets, while more exotic pets imported from the heart of Africa, such as Sub-Saharan African lions, were reserved for royalty. Herodotus observed that the Egyptians were the only people to keep their animals with them in their houses. During the Predynastic and Late periods, the worship of the gods in their animal form was extremely popular, such as the cat goddess Bastet and the ibis god Thoth, and these animals were bred in large numbers on farms for the purpose of ritual sacrifice. Egypt is rich in building and decorative stone, copper and lead ores, gold, and semiprecious stones. These natural resources allowed the ancient Egyptians to build monuments, sculpt statues, make tools, and fashion jewelry. Embalmers used salts from the Wadi Natrun for mummification, which also provided the gypsum needed to make plaster. Ore-bearing rock formations were found in distant, inhospitable wadis in the eastern desert and the Sinai, requiring large, state-controlled expeditions to obtain natural resources found there. There were extensive gold mines in Nubia, and one of the first maps known is of a gold mine in this region. The Wadi Hammamat was a notable source of granite, greywacke, and gold. Flint was the first mineral collected and used to make tools, and flint hand axes are the earliest pieces of evidence of habitation in the Nile valley. Nodules of the mineral were carefully flaked to make blades and arrowheads of moderate hardness and durability even after copper was adopted for this purpose. Ancient Egyptians were among the first to use minerals such as sulfur as cosmetic substances. The Egyptians worked deposits of the lead ore galena at Gebel Rosas to make net sinkers, plumb bobs, and small figurines. Copper was the most important metal for tool making in ancient Egypt and was smelted in furnaces from malachite ore mined in the Sinai. Workers collected gold by washing the nuggets out of sediment in alluvial deposits, or by the more labor-intensive process of grinding and washing gold-bearing quartzite. Iron deposits found in upper Egypt were utilized in the Late Period. High-quality building stones were abundant in Egypt; the ancient Egyptians quarried limestone all along the Nile valley, granite from Aswan, and basalt and sandstone from the wadis of the eastern desert. Deposits of decorative stones such as porphyry, greywacke, alabaster, and carnelian dotted the eastern desert and were collected even before the First Dynasty. In the Ptolemaic and Roman Periods, miners worked deposits of emeralds in Wadi Sikait and amethyst in Wadi el-Hudi. The ancient Egyptians engaged in trade with their foreign neighbors to obtain rare, exotic goods not found in Egypt. In the Predynastic Period, they established trade with Nubia to obtain gold and incense. They also established trade with Palestine, as evidenced by Palestinian-style oil jugs found in the burials of the First Dynasty pharaohs. An Egyptian colony stationed in southern Canaan dates to slightly before the First Dynasty. Narmer had Egyptian pottery produced in Canaan and exported back to Egypt. By the Second Dynasty at latest, ancient Egyptian trade with Byblos yielded a critical source of quality timber not found in Egypt. By the Fifth Dynasty, trade with Punt provided gold, aromatic resins, ebony, ivory, and wild animals such as monkeys and baboons. Egypt relied on trade with Anatolia for essential quantities of tin as well as supplementary supplies of copper, both metals being necessary for the manufacture of bronze. The ancient Egyptians prized the blue stone lapis lazuli, which had to be imported from far-away Afghanistan. Egypt's Mediterranean trade partners also included Greece and Crete, which provided, among other goods, supplies of olive oil. In exchange for its luxury imports and raw materials, Egypt mainly exported grain, gold, linen, and papyrus, in addition to other finished goods including glass and stone objects. The Egyptian language is a northern Afro-Asiatic language closely related to the Berber and Semitic languages. It has the second longest history of any language (after Sumerian), having been written from circa 3200 B.C. to the Middle Ages and remaining as a spoken language for longer. The phases of ancient Egyptian are Old Egyptian, Middle Egyptian (Classical Egyptian), Late Egyptian, Demotic and Coptic. Egyptian writings do not show dialect differences before Coptic, but it was probably spoken in regional dialects around Memphis and later Thebes. Ancient Egyptian was a synthetic language, but it became more analytic later on. Late Egyptian developed prefixal definite and indefinite articles, which replaced the older inflectional suffixes. There was a change from the older verb–subject–object word order to subject–verb–object. The Egyptian hieroglyphic, hieratic, and demotic scripts were eventually replaced by the more phonetic Coptic alphabet. Coptic is still used in the liturgy of the Egyptian Orthodox Church, and traces of it are found in modern Egyptian Arabic. Hieroglyphic writing dates from circa 3000 B.C., and is composed of hundreds of symbols. A hieroglyph can represent a word, a sound, or a silent determinative; and the same symbol can serve different purposes in different contexts. Hieroglyphs were a formal script, used on stone monuments and in tombs, that could be as detailed as individual works of art. In day-to-day writing, scribes used a cursive form of writing, called hieratic, which was quicker and easier. While formal hieroglyphs may be read in rows or columns in either direction (though typically written from right to left), hieratic was always written from right to left, usually in horizontal rows. A new form of writing, Demotic, became the prevalent writing style, and it is this form of writing—along with formal hieroglyphs—that accompany the Greek text on the Rosetta Stone. Around the first century AD, the Coptic alphabet started to be used alongside the Demotic script. Coptic is a modified Greek alphabet with the addition of some Demotic signs. Although formal hieroglyphs were used in a ceremonial role until the fourth century, towards the end only a small handful of priests could still read them. As the traditional religious establishments were disbanded, knowledge of hieroglyphic writing was mostly lost. Attempts to decipher them date to the Byzantine and Islamic periods in Egypt, but only in 1822, after the discovery of the Rosetta stone and years of research by Thomas Young and Jean-François Champollion, were hieroglyphs almost fully deciphered. Writing first appeared in association with kingship on labels and tags for items found in royal tombs. It was primarily an occupation of the scribes, who worked out of the Per Ankh institution or the House of Life. The latter comprised offices, libraries (called House of Books), laboratories and observatories. Some of the best-known pieces of ancient Egyptian literature, such as the Pyramid and Coffin Texts, were written in Classical Egyptian, which continued to be the language of writing until about 1300 B.C. Later Egyptian was spoken from the New Kingdom onward and is represented in Ramesside administrative documents, love poetry and tales, as well as in Demotic and Coptic texts. During this period, the tradition of writing had evolved into the tomb autobiography, such as those of Harkhuf and Weni. The genre known as Sebayt ("instructions") was developed to communicate teachings and guidance from famous nobles; the Ipuwer papyrus, a poem of lamentations describing natural disasters and social upheaval, is a famous example. The Story of Sinuhe, written in Middle Egyptian, might be the classic of Egyptian literature. Also written at this time was the Westcar Papyrus, a set of stories told to Khufu by his sons relating the marvels performed by priests. The Instruction of Amenemope is considered a masterpiece of near-eastern literature. Towards the end of the New Kingdom, the vernacular language was more often employed to write popular pieces like the Story of Wenamun and the Instruction of Any. The former tells the story of a noble who is robbed on his way to buy cedar from Lebanon and of his struggle to return to Egypt. From about 700 B.C., narrative stories and instructions, such as the popular Instructions of Onchsheshonqy, as well as personal and business documents were written in the demotic script and phase of Egyptian. Many stories written in demotic during the Greco-Roman period were set in previous historical eras, when Egypt was an independent nation ruled by great pharaohs such as Ramesses II. Most ancient Egyptians were farmers tied to the land. Their dwellings were restricted to immediate family members, and were constructed of mud-brick designed to remain cool in the heat of the day. Each home had a kitchen with an open roof, which contained a grindstone for milling grain and a small oven for baking the bread. Walls were painted white and could be covered with dyed linen wall hangings. Floors were covered with reed mats, while wooden stools, beds raised from the floor and individual tables comprised the furniture. The ancient Egyptians placed a great value on hygiene and appearance. Most bathed in the Nile and used a pasty soap made from animal fat and chalk. Men shaved their entire bodies for cleanliness; perfumes and aromatic ointments covered bad odors and soothed skin. Clothing was made from simple linen sheets that were bleached white, and both men and women of the upper classes wore wigs, jewelry, and cosmetics. Children went without clothing until maturity, at about age 12, and at this age males were circumcised and had their heads shaved. Mothers were responsible for taking care of the children, while the father provided the family's income. Music and dance were popular entertainments for those who could afford them. Early instruments included flutes and harps, while instruments similar to trumpets, oboes, and pipes developed later and became popular. In the New Kingdom, the Egyptians played on bells, cymbals, tambourines, drums, and imported lutes and lyres from Asia. The sistrum was a rattle-like musical instrument that was especially important in religious ceremonies. The ancient Egyptians enjoyed a variety of leisure activities, including games and music. Senet, a board game where pieces moved according to random chance, was particularly popular from the earliest times; another similar game was mehen, which had a circular gaming board. Juggling and ball games were popular with children, and wrestling is also documented in a tomb at Beni Hasan. The wealthy members of ancient Egyptian society enjoyed hunting and boating as well. The excavation of the workers' village of Deir el-Madinah has resulted in one of the most thoroughly documented accounts of community life in the ancient world that spans almost four hundred years. There is no comparable site in which the organization, social interactions, working and living conditions of a community were studied in such detail. Egyptian cuisine remained remarkably stable over time; indeed, the cuisine of modern Egypt retains some striking similarities to the cuisine of the ancients. The staple diet consisted of bread and beer, supplemented with vegetables such as onions and garlic, and fruit such as dates and figs. Wine and meat were enjoyed by all on feast days while the upper classes indulged on a more regular basis. Fish, meat, and fowl could be salted or dried, and could be cooked in stews or roasted on a grill. The architecture of ancient Egypt includes some of the most famous structures in the world: the Great Pyramids of Giza and the temples at Thebes. Building projects were organized and funded by the state for religious and commemorative purposes, but also to reinforce the wide-ranging power of the pharaoh. The ancient Egyptians were skilled builders; using only simple but effective tools and sighting instruments, architects could build large stone structures with great accuracy and precision that is still envied today. The domestic dwellings of elite and ordinary Egyptians alike were constructed from perishable materials such as mud bricks and wood, and have not survived. Peasants lived in simple homes, while the palaces of the elite and the pharaoh were more elaborate structures. A few surviving New Kingdom palaces, such as those in Malkata and Amarna, show richly decorated walls and floors with scenes of people, birds, water pools, deities and geometric designs. Important structures such as temples and tombs that were intended to last forever were constructed of stone instead of mud bricks. The architectural elements used in the world's first large-scale stone building, Djoser's mortuary complex, include post and lintel supports in the papyrus and lotus motif. The earliest preserved ancient Egyptian temples, such as those at Giza, consist of single, enclosed halls with roof slabs supported by columns. In the New Kingdom, architects added the pylon, the open courtyard, and the enclosed hypostyle hall to the front of the temple's sanctuary, a style that was standard until the Greco-Roman period. The earliest and most popular tomb architecture in the Old Kingdom was the mastaba, a flat-roofed rectangular structure of mud brick or stone built over an underground burial chamber. The step pyramid of Djoser is a series of stone mastabas stacked on top of each other. Pyramids were built during the Old and Middle Kingdoms, but most later rulers abandoned them in favor of less conspicuous rock-cut tombs. The Twenty-fifth dynasty was a notable exception, as all Twenty-fifth dynasty pharaohs constructed pyramids. The ancient Egyptians produced art to serve functional purposes. For over 3500 years, artists adhered to artistic forms and iconography that were developed during the Old Kingdom, following a strict set of principles that resisted foreign influence and internal change. These artistic standards—simple lines, shapes, and flat areas of color combined with the characteristic flat projection of figures with no indication of spatial depth—created a sense of order and balance within a composition. Images and text were intimately interwoven on tomb and temple walls, coffins, stelae, and even statues. The Narmer Palette, for example, displays figures that can also be read as hieroglyphs. Because of the rigid rules that governed its highly stylized and symbolic appearance, ancient Egyptian art served its political and religious purposes with precision and clarity. Ancient Egyptian artisans used stone to carve statues and fine reliefs, but used wood as a cheap and easily carved substitute. Paints were obtained from minerals such as iron ores (red and yellow ochres), copper ores (blue and green), soot or charcoal (black), and limestone (white). Paints could be mixed with gum arabic as a binder and pressed into cakes, which could be moistened with water when needed. Pharaohs used reliefs to record victories in battle, royal decrees, and religious scenes. Common citizens had access to pieces of funerary art, such as shabti statues and books of the dead, which they believed would protect them in the afterlife. During the Middle Kingdom, wooden or clay models depicting scenes from everyday life became popular additions to the tomb. In an attempt to duplicate the activities of the living in the afterlife, these models show laborers, houses, boats, and even military formations that are scale representations of the ideal ancient Egyptian afterlife. Despite the homogeneity of ancient Egyptian art, the styles of particular times and places sometimes reflected changing cultural or political attitudes. After the invasion of the Hyksos in the Second Intermediate Period, Minoan-style frescoes were found in Avaris. The most striking example of a politically driven change in artistic forms comes from the Amarna period, where figures were radically altered to conform to Akhenaten's revolutionary religious ideas. This style, known as Amarna art, was quickly and thoroughly erased after Akhenaten's death and replaced by the traditional forms. Beliefs in the divine and in the afterlife were ingrained in ancient Egyptian civilization from its inception; pharaonic rule was based on the divine right of kings. The Egyptian pantheon was populated by gods who had supernatural powers and were called on for help or protection. However, the gods were not always viewed as benevolent, and Egyptians believed they had to be appeased with offerings and prayers. The structure of this pantheon changed continually as new deities were promoted in the hierarchy, but priests made no effort to organize the diverse and sometimes conflicting myths and stories into a coherent system. These various conceptions of divinity were not considered contradictory but rather layers in the multiple facets of reality. Gods were worshiped in cult temples administered by priests acting on the king's behalf. At the center of the temple was the cult statue in a shrine. Temples were not places of public worship or congregation, and only on select feast days and celebrations was a shrine carrying the statue of the god brought out for public worship. Normally, the god's domain was sealed off from the outside world and was only accessible to temple officials. Common citizens could worship private statues in their homes, and amulets offered protection against the forces of chaos. After the New Kingdom, the pharaoh's role as a spiritual intermediary was de-emphasized as religious customs shifted to direct worship of the gods. As a result, priests developed a system of oracles to communicate the will of the gods directly to the people. The Egyptians believed that every human being was composed of physical and spiritual parts or aspects. In addition to the body, each person had a šwt (shadow), a ba (personality or soul), a ka (life-force), and a name. The heart, rather than the brain, was considered the seat of thoughts and emotions. After death, the spiritual aspects were released from the body and could move at will, but they required the physical remains (or a substitute, such as a statue) as a permanent home. The ultimate goal of the deceased was to rejoin his ka and ba and become one of the "blessed dead", living on as an akh, or "effective one". For this to happen, the deceased had to be judged worthy in a trial, in which the heart was weighed against a "feather of truth". If deemed worthy, the deceased could continue their existence on earth in spiritual form. The ancient Egyptians maintained an elaborate set of burial customs that they believed were necessary to ensure immortality after death. These customs involved preserving the body by mummification, performing burial ceremonies, and interring with the body goods the deceased would use in the afterlife. Before the Old Kingdom, bodies buried in desert pits were naturally preserved by desiccation. The arid, desert conditions were a boon throughout the history of ancient Egypt for burials of the poor, who could not afford the elaborate burial preparations available to the elite. Wealthier Egyptians began to bury their dead in stone tombs and use artificial mummification, which involved removing the internal organs, wrapping the body in linen, and burying it in a rectangular stone sarcophagus or wooden coffin. Beginning in the Fourth Dynasty, some parts were preserved separately in canopic jars. By the New Kingdom, the ancient Egyptians had perfected the art of mummification; the best technique took 70 days and involved removing the internal organs, removing the brain through the nose, and desiccating the body in a mixture of salts called natron. The body was then wrapped in linen with protective amulets inserted between layers and placed in a decorated anthropoid coffin. Mummies of the Late Period were also placed in painted cartonnage mummy cases. Actual preservation practices declined during the Ptolemaic and Roman eras, while greater emphasis was placed on the outer appearance of the mummy, which was decorated. Wealthy Egyptians were buried with larger quantities of luxury items, but all burials, regardless of social status, included goods for the deceased. Beginning in the New Kingdom, books of the dead were included in the grave, along with shabti statues that were believed to perform manual labor for them in the afterlife. Rituals in which the deceased was magically re-animated accompanied burials. After burial, living relatives were expected to occasionally bring food to the tomb and recite prayers on behalf of the deceased. The ancient Egyptian military was responsible for defending Egypt against foreign invasion, and for maintaining Egypt's domination in the ancient Near East. The military protected mining expeditions to the Sinai during the Old Kingdom and fought civil wars during the First and Second Intermediate Periods. The military was responsible for maintaining fortifications along important trade routes, such as those found at the city of Buhen on the way to Nubia. Forts also were constructed to serve as military bases, such as the fortress at Sile, which was a base of operations for expeditions to the Levant. In the New Kingdom, a series of pharaohs used the standing Egyptian army to attack and conquer Kush and parts of the Levant. Typical military equipment included bows and arrows, spears, and round-topped shields made by stretching animal skin over a wooden frame. In the New Kingdom, the military began using chariots that had earlier been introduced by the Hyksos invaders. Weapons and armor continued to improve after the adoption of bronze: shields were now made from solid wood with a bronze buckle, spears were tipped with a bronze point, and the Khopesh was adopted from Asiatic soldiers. The pharaoh was usually depicted in art and literature riding at the head of the army; it has been suggested that at least a few pharaohs, such as Seqenenre Tao II and his sons, did do so. However, it has also been argued that "kings of this period did not personally act as frontline war leaders, fighting alongside their troops." Soldiers were recruited from the general population, but during, and especially after, the New Kingdom, mercenaries from Nubia, Kush, and Libya were hired to fight for Egypt. In technology, medicine, and mathematics, ancient Egypt achieved a relatively high standard of productivity and sophistication. Traditional empiricism, as evidenced by the Edwin Smith and Ebers papyri (circa 1600 B.C.), is first credited to Egypt. The Egyptians created their own alphabet and decimal system. Even before the Old Kingdom, the ancient Egyptians had developed a glassy material known as faience, which they treated as a type of artificial semi-precious stone. Faience is a non-clay ceramic made of silica, small amounts of lime and soda, and a colorant, typically copper. The material was used to make beads, tiles, figurines, and small wares. Several methods can be used to create faience, but typically production involved application of the powdered materials in the form of a paste over a clay core, which was then fired. By a related technique, the ancient Egyptians produced a pigment known as Egyptian Blue, also called blue frit, which is produced by fusing (or sintering) silica, copper, lime, and an alkali such as natron. The product can be ground up and used as a pigment. The ancient Egyptians could fabricate a wide variety of objects from glass with great skill, but it is not clear whether they developed the process independently. It is also unclear whether they made their own raw glass or merely imported pre-made ingots, which they melted and finished. However, they did have technical expertise in making objects, as well as adding trace elements to control the color of the finished glass. A range of colors could be produced, including yellow, red, green, blue, purple, and white, and the glass could be made either transparent or opaque. The medical problems of the ancient Egyptians stemmed directly from their environment. Living and working close to the Nile brought hazards from malaria and debilitating schistosomiasis parasites, which caused liver and intestinal damage. Dangerous wildlife such as crocodiles and hippos were also a common threat. The lifelong labors of farming and building put stress on the spine and joints, and traumatic injuries from construction and warfare all took a significant toll on the body. The grit and sand from stone-ground flour abraded teeth, leaving them susceptible to abscesses. The diets of the wealthy were rich in sugars, which promoted periodontal disease. Despite the flattering physiques portrayed on tomb walls, the overweight mummies of many of the upper class show the effects of a life of overindulgence. Adult life expectancy was about 35 for men and 30 for women, but reaching adulthood was difficult as about one-third of the population died in infancy. Ancient Egyptian physicians were renowned in the ancient Near East for their healing skills, and some, such as Imhotep, remained famous long after their deaths. Herodotus remarked that there was a high degree of specialization among Egyptian physicians, with some treating only the head or the stomach, while others were eye-doctors and dentists. Training of physicians took place at the Per Ankh or "House of Life" institution, most notably those headquartered in Per-Bastet during the New Kingdom and at Abydos and Saïs in the Late period. Medical papyri show empirical knowledge of anatomy, injuries, and practical treatments. Wounds were treated by bandaging with raw meat, white linen, sutures, nets, pads, and swabs soaked with honey to prevent infection, while opium thyme and belladona were used to relieve pain. The earliest records of burn treatment describe burn dressings that use the milk from mothers of male babies. Prayers were made to the goddess Isis. Moldy bread, honey and copper salts were also used to prevent infection from dirt in burns. Garlic and onions were used regularly to promote good health and were thought to relieve asthma symptoms. Ancient Egyptian surgeons stitched wounds, set broken bones, and amputated diseased limbs, but they recognized that some injuries were so serious that they could only make the patient comfortable until death occurred. Early Egyptians knew how to assemble planks of wood into a ship hull and had mastered advanced forms of shipbuilding as early as 3000 B.C. The Archaeological Institute of America reports that the oldest planked ships known are the Abydos boats. A group of 14 discovered ships in Abydos were constructed of wooden planks "sewn" together. Discovered by Egyptologist David O'Connor of New York University, woven straps were found to have been used to lash the planks together, and reeds or grass stuffed between the planks helped to seal the seams. Because the ships are all buried together and near a mortuary belonging to Pharaoh Khasekhemwy, originally they were all thought to have belonged to him, but one of the 14 ships dates to 3000 B.C., and the associated pottery jars buried with the vessels also suggest earlier dating. The ship dating to 3000 B.C. was 75 feet long and is now thought to perhaps have belonged to an earlier pharaoh. According to professor O'Connor, the 5,000-year-old ship may have even belonged to Pharaoh Aha. Early Egyptians also knew how to assemble planks of wood with treenails to fasten them together, using pitch for caulking the seams. The "Khufu ship", a 143 foot vessel sealed into a pit in the Giza pyramid complex at the foot of the Great Pyramid of Giza in the Fourth Dynasty around 2500 B.C., is a full-size surviving example that may have filled the symbolic function of a solar barque. Early Egyptians also knew how to fasten the planks of this ship together with mortise and tenon joints. Large seagoing ships are known to have been heavily used by the Egyptians in their trade with the city states of the eastern Mediterranean, especially Byblos (on the coast of modern-day Lebanon), and in several expeditions down the Red Sea to the Land of Punt. In fact one of the earliest Egyptian words for a seagoing ship is a "Byblos Ship", which originally defined a class of Egyptian seagoing ships used on the Byblos run; however, by the end of the Old Kingdom, the term had come to include large seagoing ships, whatever their destination. In 2011 archaeologists from Italy, the United States, and Egypt excavating a dried-up lagoon known as Mersa Gawasis have unearthed traces of an ancient harbor that once launched early voyages like Hatshepsut's Punt expedition onto the open ocean. Some of the site's most evocative evidence for the ancient Egyptians' seafaring prowess include large ship timbers and hundreds of feet of ropes, made from papyrus, coiled in huge bundles. And in 2013 a team of Franco-Egyptian archaeologists discovered what is believed to be the world's oldest port, dating back about 4500 years, from the time of King Cheops on the Red Sea coast near Wadi el-Jarf (about 110 miles south of Suez). In 1977, an ancient north-south canal dating to the Middle Kingdom of Egypt was discovered extending from Lake Timsah to the Ballah Lakes. It was dated to the Middle Kingdom of Egypt by extrapolating dates of ancient sites constructed along its course. The earliest attested examples of mathematical calculations date to the predynastic Naqada period, and show a fully developed numeral system. The importance of mathematics to an educated Egyptian is suggested by a New Kingdom fictional letter in which the writer proposes a scholarly competition between himself and another scribe regarding everyday calculation tasks such as accounting of land, labor, and grain. Texts such as the Rhind Mathematical Papyrus and the Moscow Mathematical Papyrus show that the ancient Egyptians could perform the four basic mathematical operations—addition, subtraction, multiplication, and division—use fractions, compute the volumes of boxes and pyramids, and calculate the surface areas of rectangles, triangles, and circles. They understood basic concepts of algebra and geometry, and could solve simple sets of simultaneous equations. Mathematical notation was decimal, and based on hieroglyphic signs for each power of ten up to one million. Each of these could be written as many times as necessary to add up to the desired number; so to write the number eighty or eight hundred, the symbol for ten or one hundred was written eight times respectively. Because their methods of calculation could not handle most fractions with a numerator greater than one, they had to write fractions as the sum of several fractions. For example, they resolved the fraction two-fifths into the sum of one-third + one-fifteenth. Standard tables of values facilitated this. Some common fractions, however, were written with a special glyph—the equivalent of the modern two-thirds is shown on the right. Ancient Egyptian mathematicians had a grasp of the principles underlying the Pythagorean theorem, knowing, for example, that a triangle had a right angle opposite the hypotenuse when its sides were in a 3–4–5 ratio. They were able to estimate the area of a circle by subtracting one-ninth from its diameter and squaring the result. The golden ratio seems to be reflected in many Egyptian constructions, including the pyramids, but its use may have been an unintended consequence of the ancient Egyptian practice of combining the use of knotted ropes with an intuitive sense of proportion and harmony. A team lead by Johannes Krause managed the first reliable sequencing of the genomes of 90 mummified individuals in 2017. Whilst not conclusive, because of the non-exhaustive time frame and restricted location that the mummies represent, their study nevertheless showed that these Ancient Egyptians "closely resembled ancient and modern Near Eastern populations, especially those in the Levant, and had almost no DNA from sub-Saharan Africa. What's more, the genetics of the mummies remained remarkably consistent even as different powers—including Nubians, Greeks, and Romans—conquered the empire." Later, however, something did alter the genomes of Egyptians. Although the mummies contain almost no DNA from sub-Saharan Africa, some 15% to 20% of modern Egyptians’ DNA reflects sub-Saharan ancestry. The culture and monuments of ancient Egypt have left a lasting legacy on the world. The cult of the goddess Isis, for example, became popular in the Roman Empire, as obelisks and other relics were transported back to Rome. The Romans also imported building materials from Egypt to erect Egyptian-style structures. Early historians such as Herodotus, Strabo, and Diodorus Siculus studied and wrote about the land, which Romans came to view as a place of mystery. During the Middle Ages and the Renaissance, Egyptian pagan culture was in decline after the rise of Christianity and later Islam, but interest in Egyptian antiquity continued in the writings of medieval scholars such as Dhul-Nun al-Misri and al-Maqrizi. In the seventeenth and eighteenth centuries, European travelers and tourists brought back antiquities and wrote stories of their journeys, leading to a wave of Egyptomania across Europe. This renewed interest sent collectors to Egypt, who took, purchased, or were given many important antiquities. Although the European colonial occupation of Egypt destroyed a significant portion of the country's historical legacy, some foreigners left more positive marks. Napoleon, for example, arranged the first studies in Egyptology when he brought some 150 scientists and artists to study and document Egypt's natural history, which was published in the Description de l'Égypte. In the 20th century, the Egyptian Government and archaeologists alike recognized the importance of cultural respect and integrity in excavations. The Supreme Council of Antiquities now approves and oversees all excavations, which are aimed at finding information rather than treasure. The council also supervises museums and monument reconstruction programs designed to preserve the historical legacy of Egypt. [Wikipedia]. SHIPPING & RETURNS/REFUNDS: We always ship books domestically (within the USA) via USPS INSURED media mail (“book rate”). Most international orders cost an additional $19.99 to $53.99 for an insured shipment in a heavily padded mailer. However this book is quite large and heavy, too large to fit into a flat rate mailer. Therefore the shipping costs are somewhat higher than what is otherwise ordinary. There is also a discount program which can cut postage costs by 50% to 75% if you’re buying about half-a-dozen books or more (5 kilos+). Our postage charges are as reasonable as USPS rates allow. ADDITIONAL PURCHASES do receive a VERY LARGE discount, typically about $5 per book (for each additional book after the first) so as to reward you for the economies of combined shipping/insurance costs. Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. All of our shipments are fully insured against loss, and our shipping rates include the cost of this coverage (through stamps.com, Shipsaver.com, the USPS, UPS, or Fed-Ex). Please note for international purchasers we will do everything we can to minimize your liability for VAT and/or duties. But we cannot assume any responsibility or liability for whatever taxes or duties may be levied on your purchase by the country of your residence. If you don’t like the tax and duty schemes your government imposes, please complain to them. We have no ability to influence or moderate your country’s tax/duty schemes. International tracking is provided free by the USPS for certain countries, other countries are at additional cost. 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ABOUT US: Prior to our retirement we used to travel to Eastern Europe and Central Asia several times a year seeking antique gemstones and jewelry from the globe’s most prolific gemstone producing and cutting centers. Most of the items we offer came from acquisitions we made in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) during these years from various institutions and dealers. Much of what we generate on Etsy, Amazon and Ebay goes to support worthy institutions in Europe and Asia connected with Anthropology and Archaeology. Though we have a collection of ancient coins numbering in the tens of thousands, our primary interests are ancient/antique jewelry and gemstones, a reflection of our academic backgrounds. Though perhaps difficult to find in the USA, in Eastern Europe and Central Asia antique gemstones are commonly dismounted from old, broken settings – the gold reused – the gemstones recut and reset. Before these gorgeous antique gemstones are recut, we try to acquire the best of them in their original, antique, hand-finished state – most of them originally crafted a century or more ago. We believe that the work created by these long-gone master artisans is worth protecting and preserving rather than destroying this heritage of antique gemstones by recutting the original work out of existence. That by preserving their work, in a sense, we are preserving their lives and the legacy they left for modern times. Far better to appreciate their craft than to destroy it with modern cutting. Not everyone agrees – fully 95% or more of the antique gemstones which come into these marketplaces are recut, and the heritage of the past lost. But if you agree with us that the past is worth protecting, and that past lives and the produce of those lives still matters today, consider buying an antique, hand cut, natural gemstone rather than one of the mass-produced machine cut (often synthetic or “lab produced”) gemstones which dominate the market today. We can set most any antique gemstone you purchase from us in your choice of styles and metals ranging from rings to pendants to earrings and bracelets; in sterling silver, 14kt solid gold, and 14kt gold fill. When you purchase from us, you can count on quick shipping and careful, secure packaging. We would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from us. There is a $3 fee for mailing under separate cover. I will always respond to every inquiry whether via email or eBay message, so please feel free to write.
Price: 69.99 USD
Location: Lummi Island, Washington
End Time: 2024-08-05T21:38:52.000Z
Shipping Cost: 10.99 USD
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Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Industry: Ethnographic
Format: HUGE illustrated softcovers
Length: 1481 pages in two volumes
Dimensions: 9¾ x 6¾ x 1¼ inches, 2½ pounds (each)
Publisher: Dover (1978)
