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1940 George Wettling CHICAGO RHYTHM KINGS Jess Stacy I've Found A New Baby DECCA

Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records Ernie Caceres, Bobby Hackett, Freddie Ohms, and George Wettling, Nick's, NYC, 1940s.Photography by William P. Gottlieb George Wettling's Chicago Rhythm Kings ?– The Darktown Strutters' Ball / I've Found A New BabyDecca ?– 18045A The Darktown Strutters' BallWritten By – Shelton BrooksB I've Found A New BabyWritten By – Jack Palmer (4), Spencer Williams (2)Bass – Brad Shapiro (tracks: Shapiro)Clarinet – Danny Polo (tracks: Polo)Drums – George Wettling (tracks: Wettling)Guitar – Jack Bland (tracks: Bland)Piano – Stacy*Tenor Saxophone – Joe Marsala (tracks: Marsala)Trombone – Larry O'Brien (2) (tracks: O'Brien)Trumpet – Charlie Teagarden (tracks: Teagarden)Recorded in New York on January 16th 1940Orig Issue Decca 10" 78 rpm recordCONDITION: EXCELLENT MINUS faint scuffs, plays very quietA GREAT COPYGeorge Godfrey Wettling (November 28, 1907 – June 6, 1968) was an American jazz drummer.[1]He was one of the young Chicagoans who fell in love with jazz as a result of hearing King Oliver's band (with Louis Armstrong on second cornet) at Lincoln Gardens in the early 1920s. Oliver's drummer, Baby Dodds, made a particular and lasting impression on Wettling.[2]Wettling went on to work with the big bands of Artie Shaw, Bunny Berigan, Red Norvo, Paul Whiteman, and Harpo Marx, but he was at his best with bands led by Eddie Condon, Muggsy Spanier, and himself. In these small bands, Wettling demonstrated the arts of dynamics and responding to a particular soloist that he had learned from Baby Dodds.Wettling was a member of some of Condon's bands, which included Wild Bill Davison, Billy Butterfield, Edmond Hall, Peanuts Hucko, Pee Wee Russell, Cutty Cutshall, Gene Schroeder, Ralph Sutton, and Walter Page. In 1957 he toured England with a Condon band that included Davison, Cutshall, and Schroeder.Toward the end of his life, Wettling, like his friend clarinetist Pee Wee Russell, took up painting and was influenced by the American cubist Stuart Davis. He has been said to have believed that "jazz drumming and abstract painting seemed different for him only from the point of view of craftsmanship: in both fields he felt rhythm to be decisive".[3]References Condition: EXCELLENT rare scuffs, plays very quietA GREAT COPYFrank Teschemacher (March 13, 1906 in Kansas City, Missouri – March 1, 1932 in Chicago) was an American jazz clarinetist and alto-saxophonist, associated with the "Austin High" gang (along with Jimmy McPartland, Bud Freeman and others). He was born in Kansas City, Missouri, but spent most of his career based in Chicago, Illinois, although gigs sometimes took him to New York City, around the U.S. Midwest, and he also took a job in Florida with Charlie Straight.CareerStrongly influenced by cornetist Bix Beiderbecke, he was mainly self-taught on his instruments; early on he also doubled on violin and banjo. He started playing the clarinet professionally in 1925. He began recording under his own name in 1928 and made what are believed to be his final recordings two years later, although there is now reason to believe (via sine wave recording research, aka Smith/Westbrook Method) that he appeared on unidentified recordings as late as 1932. His intense solo work laid the groundwork for a rich sound and creative approach, that is credited with influencing a young Benny Goodman and a style of which Pee Wee Russell is perhaps the best-known representative. He also made recordings on the saxophone. Late in his career, he returned to playing violin with Jan Garber's sweet dance orchestra, trying to earn a living in the midst of the Great Depression. Although he was well known in the world of jazz, he did not live to enjoy popular success in the swing era. He was killed in an automobile accident on the morning of March 1, 1932, a passenger in a car driven by his performing associate cornetist "Wild" Bill Davison; it was several days short of what would have been his 26th birthday. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution

Price: 9.99 USD

Location: San Francisco, California

End Time: 2024-11-29T17:18:07.000Z

Shipping Cost: 7.49 USD

Product Images

1940 George Wettling CHICAGO RHYTHM KINGS Jess Stacy I1940 George Wettling CHICAGO RHYTHM KINGS Jess Stacy I1940 George Wettling CHICAGO RHYTHM KINGS Jess Stacy I

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: CLICK RIGHT ARROW > FOR CONDITION, George Wettling's Chicago Rhythm Kings, Chicago Rhythm Kings, George Wettling, Jess Stacy, Joe Marsala, Charlie Teagarden

Format: Record

Release Title: The Darktown Strutters' Ball / I've Found A New Baby

Material: Shellac

Type: Single

Genre: Jazz

Record Label: Decca

Record Size: 10"

Style: Bebop, Canadian Jazz, Dixieland, Electric Jazz, Gypsy Jazz, Jazz Instrument, Jazz Pop, Jive, Latin Jazz, Ragtime, Smooth Jazz, Soul Jazz, Vocal Jazz, Big Band/Swing

Speed: 78 RPM

Catalog Number: 18045

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