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1930 Norwegian EIDE NORENA Coq d'Or Hymne au Soleil/ Guillaume Tell Selva Opaca

Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great French and Canadian Quebecois records from early G&T Musica Hall to famous Chansons and Movie Stars on 78 rpm Victrola Records Click this link for more French and Quebecois Records in my other listings! Click this link for more great Opera and Vocal Records in my other listings! Portrait of Eidé Norena in 1909 Famous NORWEGIAN French Soprano EIDE NORENA Odeon, Paris 1930-12-08Ki3938-2 d:o Coq d'Or (Rimsky-Korsakov): Hymne au soleil 188.796, Decca 20115Odeon, Paris 1930-12-11Ki3943 Guillaume Tell (Rossini): Sombre forêt 188.794, Decca 20115 French Odeon on US DECCA 10" 78 rpm recordCondition: EXCELLENT light scuffs just a hint of greying on Foret, plays very quiet rare ticksA GREAT COPYWhat else do we know about Karoline Hansen? This fine singer with exceptional voice control, born in Oslo in 1884, can be heard on records dating back to 1911/13 in roles as varied as Dinorah and Butterfly. Her voice was initially somewhat lacking in power and individuality but she was to become a good actress, trained for the stage by her husband, Egel Eidé, a well-known actor, whose name she took and retained. She was known as Kaja Eidé until her La Scala début as Gilda with Toscanini in 1924 when she was forty, but with a voice still so light that this début could have been both the making of her public reputation or the beginning of the end. However, this slender, graceful figure with a restrained voice hid sterner stuff. In London, she was helped with advice from Melba (not usually known for her generosity to potential rivals, though she had by this time given up the roles of Mimi, Violetta and Gilda, the newcomer's prime roles). Guided also by Raimund von der Mühlen, Kaja remodelled the character of her voice. Her high-placed attack was straight from the school of Marchesi; her timbre with its perceptible sensual tremulo, was like a vibrant celestial bell; her phenomenal breath control enabled her to master octave leaps, ornaments and sostenuto singing, while her perfectly formed and effective messa di voce was intact even in one of her last recordings, on retirement at 55, the Care selve from Atalanta. Her new identity was marked with a new name: Eidé Norena. Most of Eidé Norena's time was spent in Paris, at the Opéra and Opéra-Comique. For a good twelve years programmes featured her portrait, coiffured by Jean Patou, the epitome of understated chic, impeccable and exquisite; the same could also be said of her career. Despite her late start, she was spared the usual intrigue and rivalry as she rose to the peak of her profession. She made her first appearance at Covent Garden immediately after La Scala, once again as Gilda in Rigoletto, and managed not to offend Ivogün who had just appeared there in the same role. Following the stunning and idolised Lotte Schoene in the role of Liù (Turandot), Norena went on to acquit herself no less memorably as the simple Mimi (La Bohème), alongside Gigli and Stabile, described by The Times, in an unexpected and lavish compliment, as "an ensemble". Finally, in the coronation season she held her own as Desdemona against the giant voice and presence of Martinelli. She was in no way intimidated by such formidable stage partners: in Paris she had faced first Franz, then Melchior. Eidé did not set foot in America until 1926 when, like so many others, she chose Chicago for her début. However, Edith Mason was well established there and Norena was only given minor roles: Anna in Loreley, Eidé Norena was justifiably renowned throughout the 1930's for the light, flexible, pure performance of Thomas's Ophelia: the delicate pathos, her purity of spirit during the aria (which received the accolade of the Purple Label in ACSB re-issues) are without equal. At the end of her career, aged 55, her controlled breathing and vocal command, not to mention the octave leaps in her Care selve, are incomparable. Such unacknowledged virtuosity so late in the history of singing could only have belonged to an isolated genius, an outsider. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution

Price: 14.99 USD

Location: San Francisco, California

End Time: 2024-12-02T21:40:19.000Z

Shipping Cost: 7.49 USD

Product Images

1930 Norwegian EIDE NORENA Coq d1930 Norwegian EIDE NORENA Coq d

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: CLICK RIGHT ARROW > FOR CONDITION, EIDE NORENA, Henri Defossé

Format: Record

Release Title: Coq d'Or Hymne au soleil/ Guillaume Tell Sombre forêt

Material: Shellac

Type: Single

Genre: World Music

Record Label: Decca

Record Size: 10"

Style: Aria, Brass, Cajun & Zydeco, Canadian Jazz, Chanson, Christian, Classic Female Blues, Classical Pop, Comedy/Novelty Music, Delta Blues, Europop, Field Recording, Film Score/Soundtrack, France & Belgium, Gypsy Jazz, Jazz Instrument, Marching, Music Hall, Musical/Original Cast, Radio Play/Show, Schlager, Traditional/Vocal, Vocal, Vocal Jazz, Waltz, Big Band/Swing, Cabaret/Vaudeville, Italy, Opera, Story

Speed: 78 RPM

Language: French

Catalog Number: 20115

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