1800s William Frederick YEAMES Engraving "Wooing Of Henry V" FRAMED SIGNED COA

Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: William Frederick Yeames (British, 1835-1918) Title: The Wooing of Henry V Medium: Antique steel engraving on wove paper after the original by master engraver William Greatbach (1802-1885) Year: 1876 Signature: Signed in the plate. Condition: Excellent Dimensions: Image size 7 1/2 x 9 1/4 inches. Framed dimensions 16 x 18 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more than 135 years old. The strike is crisp and the lines are sharp. Artist Biography: Yeames was born in Taganrog, Russia, the son of a British consul based in Russia. After the death of his father in 1842, Yeames was sent to school in Dresden where he began studying painting. After a change in the fortunes of his family, they moved to London in 1848. Yeames learnt anatomy and composition from George Scharf and took art lessons from F. A. Westmacott. In 1852 he journeyed to Florence where he studied with Enrico Pollastrini and Raphael Buonajuti. During his time there he painted at the Life School at the Grand Ducal Academy, drawing from frescoes by Andrea del Sarto, Ghirlandaio and Gozzoli. Continuing on to Rome, he painted landscape studies and copied Old Masters, including the frescoes of Raphael in the Vatican. Returning to London in 1859, he set up a studio in Park Place and, with Philip Hermogenes Calderon, Frederick Goodall and George Adolphus Storey, formed the loose association of artists known as the St John's Wood Clique. The group concentrated on subjects of a historical nature and narrative paintings in which the story was revealed by close study of the actions and expressions of the subjects. In Yeames's work this technique evolved into the genre known as the problem picture, in which the narrative of the image creates an unresolved dilemma or paradox for the viewer. Yeames married on 18 August 1865 Anne Winfield, daughter of Major James Stainbank Winfield of the East India Company. While their work was popular with the public, the St John's Wood Clique found it difficult to get their work displayed at prestigious galleries and the Royal Academy because it never received critical acclaim. Yeames managed to overcome this problem and from 1859 exhibited at the Royal Academy and was made an Associate (ARA) in 1866. Unlike other artist circles of the time, the St John's Wood Clique did not lead a bohemian lifestyle; Yeames took holidays at Hever Castle and lived comfortably in London. He and Goodall specialised in Tudor and Stuart subjects, but did not always portray the events they depicted with historical accuracy instead using them as inspiration. He died in Teignmouth, Devon on 3 May 1918. In 2000, a blue plaque commemorating Yeames was installed at his former home, 8 Campbell Road, Hanwell, London, where he lived from 1894 until 1912. The oil-on-canvas picture, painted in 1878, depicts a scene in an imaginary Royalist household during the English Civil War. The Parliamentarians have taken over the house and question the son about his Royalist father (the man lounging on a chair in the centre of the scene is identifiable as a Roundhead officer by his military attire and his orange sash. Yeames was inspired to paint the picture to show the crises that could arise from the natural frankness of young children. Here, if the boy tells the truth he will endanger his father, but if he lies he will go against the ideal of honesty undoubtedly instilled in him by his parents. The boy in the pictures is based on Thomas Gainsborough's painting The Blue Boy. It was modelled by Yeames' nephew, James Lambe Yeames. Behind the boy, there is a girl, probably the daughter, waiting her turn to be questioned. The girl was based on Yeames' niece, Mary Yeames. At the back of the hall the mother and elder daughter wait anxiously on the boy's reply. The scene is neutral: while the innocence of the boy is emphasised by his blond hair, open expression and blue suit, the questioners are also treated sympathetically; the main interrogator has a friendly expression and the sergeant with the little girl has his arm on her shoulder as if comforting her. The painting is at the Walker Art Gallery, Liverpool, having been bought in 1878, just a year after the gallery opened in 1877. Madame Tussauds in London has a life-size waxwork tableau of the scene, faithfully reproduced from the painting. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer.Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you.Guarantee We guarantee all our listings to be 100% as describedReturns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

Price: 209 USD

Location: Cape Coral, Florida

End Time: 2024-12-05T05:05:17.000Z

Shipping Cost: N/A USD